Category Archives: Art on Paper & Canvas

1917 Newspaper Article – Innocence? Naivete?

Fair Recruits - 1917I love old newspapers and magazines.  Sometimes, when I’m browsing through them, I see an article or an illustration that I can hardly believe I’m seeing.

This isn’t the strangest photo I’ve ever seen in an old newspaper, but something about it struck me so very odd when I saw it today.

I mean, really, today’s woman would have a very different view of where Surgeon Smith’s hand is… wouldn’t she?

(You can click on that image to see the newspaper clipping slightly larger.)

I don’t mean to be bawdy or perverse.  It was just one of those newspaper articles that reminded me that times have changed a lot in the past 100 years.

And, it was also a reminder that you may find wonderful images for collages, if you browse the old newspaper collections at your public library.  Though you usually can’t take the newspapers out of the library, you can photocopy or photograph the image.  Then, at home, you can create (and improve) a digital copy on your computer.

Not all images are as startling as this one.  However, if you spend just a few minutes looking at pre-1922 (public domain) newspapers and magazines, you may find images that will inspire interesting collages or other artwork.

Ask at the reference desk of your public library.  Not all regions keep old newspapers.  (In warmer climates, insects or mildew can make paper storage a liability.)  Nevertheless, you may be surprised to learn about the old books, magazines, and newspapers that are kept in “the stacks,” where the public rarely notices them.

For an artist, especially someone who’s fascinated by history — and, in this case, the role of women — it can be an adventure!

While I’m Talking About Public Domain…

Never underestimate the value of the U.S. government when it comes to surreal and absurd images, many of which are in the public domain.

I mean it.  And, if you’re easily offended or the subject of VD bothers you, avert your eyes.

1940s poster from the U.S. government (Artist, "Christian")Seriously, this poster (at right) appears to be in the public domain.  (See notes at the U.S. National Library of Medicine.) You can download a 4MB copy of it at the gov’t website.

I can see so many very wrong uses for that image.  I’d like to put it on a tee shirt, except that I want to replace the VD words with… something else.  I’m not sure what, yet.

I look at her and think, “Really? I mean really? Is that what men found alluring in the 1940s?”

However, that’s not the only image of its kind. A search at the gov’t website using the phrase “venereal disease” turns up all kinds of strange posters of apparently dangerous women.

She may look clean...Check out the sweet girl in the poster on the left.  (Click on the image for the full, print-quality image at the NLM.)

Wasn’t she a famous movie star?  She looks really familiar… like someone I’ve seen in old movies.  Well, now we know about her history! *LOL*

I’m amused by the phrase “‘good time’ girls.”  It makes me wonder, were there “bad time” girls?

That poster is in the public domain.

1944 - beware waterThe next poster for your consideration (or amusement) is about clean water.  Gosh, it looks like our boys were dealing with all kinds of dangers in the 1940s… wasn’t war enough?

Because that was produced specifically for government use, I’m pretty sure it’s in the public domain.

Click the image to see a really large copy of it.  There may be even bigger versions in the NLM files.

(Of course, if you’re going to use it for a product, it’s smart to research the provenance at the NLM website.)

And, so it’s not all one-step-away-from-zombies, at left is an early poster that has a lot of possibilities if you’d like to alter it for a political statement.

This one is from 1917, so it’s almost certainly in the public domain.  (Most — but not all — American works from before 1923 are now in the public domain.)

If you have questions about copyright law and what’s in the public domain, one of my favorite resources is Cornell’s chart about copyright terms and limits.

If you’re really concerned about the details of copyright law and art, the following book is one of the most complete (and recent) to address this complex subject.



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Join me at Dragon*Con 2011!

Dragon Con 2011Great fun! Once again, I’ll be a Guest (and speaking & conducting workshops) at Dragon*Con during Labor Day weekend 2011. This is the 25th anniversary of Dragon*Con, so it’s going to be huge!

Though it’s normal to see about 60,000+ people at Dragon*Con, you can find me in the crowd:  Generally, you’ll find me wherever Fiona Broome is speaking. We’re sort of inseparable.  (Ask me about this, if you’re baffled.  It’s not quite what it sounds like.)

Or, join the fun at the annual Dragon*Con ATC workshop and swap.  (They’re two separate days, and people can attend just one if they like… though most art card enthusiasts go to both, year after year.)  I always have ATCs and ACEOs to give to people, even if they’re not swapping.

I’m also expecting to conduct another zine workshop/swap this year; last year’s was hilarious fun!  (And, if you have suggestions for new workshops or panels you’d like, let me know your ideas early. I’m always interested in new topics!)

All of these workshops will be part of the Art Show Track at Dragon*Con.  The art-related panels and workshops have been expanding each year, and they cover everything from materials & techniques to business plans to… well, almost anything art-related.

I will post my Dragon*Con art panels/workshops schedule here, later this year.  For now, everything’s still at the brainstorming phase.

ACEOs – Production-line shortcuts

ACEO - in progressI’m trying some oil paintings as ACEOs.  (That stands for Art Card limited Editions and Originals, a kind of artists’ trading cards.)

Because traditional art cards (including ACEOs) are the same size as other trading cards (like baseball cards, etc.), the 2.5″ x 3.5″ ACEOs can be tricky to work with if you’re painting with oils or acrylics.

My first attempt revealed a few flaws that I’ll fix with the next batch.  However, here’s what I did:

First, I covered a masonite sketch board (shown below, at right) with newspaper, held in place by a Very Big Elastic. (The elastic comes with the sketch board when you buy it at any arts or crafts store, or you can simply use one from other packaging… but you may not need it at all.)

Then, I positioned a series of blank ATCs (artist trading cards) approximately where I figured they should be, to mask them. (Michael’s and other stores sell these canvas-textured blanks in the same aisle as their fine art drawing & painting supplies.)

Next, I used blue (easy to peel off) painter’s masking tape to tack blank ACEOs in place.

After that, I laid down strips of that same tape, masking the edges of the cards, usually about 1/4 inch.  (That’s not shown in the photo.)

And then, of course, I painted them… at least with an underpainting (my signature cadmium red) and then the first layer of oil paint.

Impatient to see how they’ll look, I peeled off the long strips of masking tape.  The result is in the photo on the right.

One card tore slightly as I was peeling off the tape.  (The tear was a small surface tear and it can be repaired with glue.) I’m not sure if that issue can be wholly avoided with this process, but I’ll keep experimenting.

I tweaked some of the cards while this first layer of paint is wet.  I wanted to cover the cadmium red that had seeped under the tape more than the oil paint did.  Alas, some of the tweaking ventured into the ACEOs’ white margins.

While these cards dry, I’m starting a new batch of ACEOs.  This time, I used a ruler to position the cards and the tape, so it’s more regular.  So far, so good.

The oil paint will take at least a week or two to dry enough for the next layer of paint, so these cards won’t be completed very quickly.   I’m aiming to have the first batch of ACEOs ready to ship in about a month.

However, I see several merits to using ACEOs for oil paint (or acrylics):

1. These allow me to experiment with designs on a small scale, to evaluate them for larger paintings.  These cards are sort of like thumbnail sketches, but more finished.

2. I can sell these ACEOs for far less than my paintings, making them easy for new art collectors to purchase.  (I’m very enthusiastic about the Cheap Art Manifesto as much as it’s practical… while still being a professional artist.)

3. Shipping the ACEOs will involve wax paper (to protect the surface of the card) and some cardboard rectangles as support in the mail.  Then, each card can go in an envelope… cheap and easy!

As soon as I’ve worked out more of the bugs, I’ll create a sheet that you can easily use to layout the blank cards yourself, if you’d like to try a painterly approach to ACEOs.



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Drawing or Painting?

crayonsIs it better to start with drawing or painting? Here are my current thoughts:

If you’re new to art, you might think that drawing is most basic. And, in a way, it is. However, it’s not always the best first choice for a new artist.

There are many similarities between drawing and painting. The basics of drawing can be learned in hours, but so can the basics of painting. No matter what subject you’d like to represent — from quick journal sketching, to comics and manga, to realistic representations of your world — you can work with drawing or painting.

However, there are separate advantages to drawing and painting, as well.

One of the main advantages of drawing is that you can begin immediately with no special art supplies. If you have any paper surface and any writing implement, you can start drawing right this moment.

One of the main advantages of painting is that it requires little eye-hand coordination. If you can smear some color onto a surface, you’re painting! In fact, if you “can’t draw a straight line,” you can still paint well.

Let’s compare drawing and painting in several areas.

Supplies

Drawing requires something to draw with. That can be any writing implement from a pencil to a pen to a crayon. An eraser can be useful. Some artists use aids such as rulers or compasses, or other drafting tools.

You’ll also need a surface to draw on, such as paper.

watercolor - still life paintingTo paint, you’ll need some kind of painting medium such as watercolors, acrylic paints or oil paints. Though some companies try to make the decisions easy by assembling basic student kits, the quality of those paints can sabotage your work from the beginning. The difference between “student grade” acrylic or oil paints and “professional quality” is night and day.

With some paints, you’ll also need painting media such as gel medium (for acrylic paints) or linseed oil (for traditional oil paints).

You’ll also need brushes. Like paints, the selection can be confusing without guidance from a pro. Cheap brushes can produce disappointing results, but so can the wrong kind of expensive brushes.

Finally, you’ll need a surface to paint on. Prestretched canvas boards are convenient if you’re using acrylic or oil paints. Watercolor artists can use everyday artists’ papers, but if they’re not designed for use with water media, the paper can buckle or absorb the pigment in blotches.

In other words, getting started with drawing is simple and it can be very affordable. Choosing supplies for painting can be overwhelming and expensive, but it doesn’t have to be. You’ll find additional guidance at this website.

Skills

student drawingTo draw well, you’ll need eye-hand coordination. In other words, your hand — and the pencil or pen in it — should do approximately what you want it to. The more precisely your pencil (or pen) achieves the effect you have in mind, the better.

Dyslexia is not usually an issue. If you can use a pencil to write or print, you can use a pencil to draw.

However, the learning curve can be steep when you’re learning to draw. It’s normal for an experienced artist to feel frustrated when he or she can’t get the line “just so” in a drawing.

(As David Bayles and Ted Orland say in their book, Art & Fear, “The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars.”)

Some simple approaches reduce frustration and help new artists develop their drawing skills. Those include quick sketches, contour drawing, and the willingness to erase often or even throw out a sketch that’s not working at all.

Painting can require less eye-hand coordination. When you’re painting something representational, you’ll start with big, bold areas of color and work down gradually to the finer details. (If you’re more interested in paintingArt & Fear - book cover non-representational works and abstracts, your skills with a brush are far less important.)

The key to a successful painting is knowing when to stop. For most artists, that’s somewhere between, “What were you trying to paint?” and “Wow, that looks just like a photograph.”

At the beginning, simple subjects are easier to capture in a painting. If you’d like something that looks like it came out of a camera… use a camera. You’ll be less disappointed.

Results

If you’re creating art to please yourself, start with whatever makes you happiest. (If you’re creating art to please someone else, perhaps you should re-evaluate that decision. The other person may be happier if you purchase art for them, rather than struggle to make it yourself.)

If you like the appearance of drawing better, learn to draw. If you prefer painting, don’t fall for the idea that artists have to draw before they paint. They don’t.

However, before you leap to the conclusion that you prefer either drawing or painting, go to some galleries or museums. Study both drawings and paintings. Analyze which you prefer (if either of them appeal to you more) and exactly why you like them.

For example, if you fall in love with Picasso’s paintings from his blue period, remember that the same tone (light and shade) qualities can be captured in drawings. You don’t need to invest in paints for something monochromatic (all one color, with just light & shade differences).

If it’s a sense of color that appeals to you, you may achieve that in drawings, too. Colored pencils, pastels, and other dry media can convey a similar joyous sense of color.

However, if you like bold splashes of color or subtle nuances in color variations, painting may be the shortest route to those effects.

Summary

If you’d like to create art by drawing or painting, there are good reasons to begin with either one.

Drawing requires less investment to start, but greater eye-hand coordination. If your aim is realistic representations (things that look like photographs), that can take years to achieve.

Painting involves more supplies and expense, but — with realistic expectations — you can create delightful works right away.

The key is to know what appeals to you and why, and choose the medium that will help you create the kind of work that delights you.