Previous subscriber?

partyballoons2-illusA long time ago — between 1977 and about 2001 — did you subscribe to my printed zines or to my “four creative somethings”?

This is not a freebie.  It is only for people who paid for printed/mailed-with-stamps subscriptions in the past.

It’s not for those who purchased the digital zines, or the zines-on-CDs.  If you’re among those customers, sign up at New Freebie Adventure.

If you were a former, paid subscriber to my printed zines or the “somethings,” I’ll need your email address (for digital products) and your postal (snailmail) address for physical products.

Please use the following form so I know where to send your treats.

Have a question? See my notes below the form, before you send it.

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*Postcards were sent to former subscribers during March 2010.  If you didn’t receive your postcard yet, please let me know!  I need to know which subscription you’d purchased, your full name when you subscribed, plus your current name + mailing address.

*This list is not for people who bought my artwork in the past… unless they also bought a subscription to my zines or “four creative somethings.”

*I’m not accepting new subscribers.  When the first issue of the zine is ready, digital versions will be available.

*It doesn’t matter how many issues/treats you received in the past.   If you paid for a year’s+ subscription between 1995 and 2001, you belong on this list.

*If you’re not sure if you ever subscribed, send me the info on the form anyway, and tell me that you’re not sure. I’ll check your name against the existing lists, and reply as soon as I can.

*A whole lot of people have sent me their names and addresses as if they were once subscribers.  80% of them were not on my lists, and they’re names I don’t even vaguely recognize.

So, I’ve edited this post, hoping to make it clear that this offer is only for people who have paid for a subscription to my printed zine prior to 2002, or to the “four creative somethings”  around 2000.

This form is not offering a freebie.  There are lots of freebies here, and everyone can sign up for the New Freebies Adventure.

Letterboxing – A Typical Day

Here is a typical day of very active letterboxing, looking for three boxes in close proximity. I found two; one appeared to be missing. In other words, enjoy the hike and the location; it’s not just about finding boxes.

2006 update: All three of these boxes are probably missing now. Their clues are no longer online.

Sunday, 14 Apr 02: NH – Manchester, Durham, and Stratham/Greenland

  • Manchester, NHTombstone LetterboxI found this one fairly quickly. There are several wrong paths you could take, and only one right one of course. It’s in Valley Cemetery. It’s marginally okay in broad daylight on a weekend, but I wouldn’t recommend this location towards dusk if you’re alone. But, letterboxing is the most fun with a companion anyway.
    Valley Cemetery entrance

    Triple-decker across the street

    I was the first one to stamp in this letterbox book.

  • Durham, NHAdam’s Point Letterbox
  • I think I found the right location. It certainly matched the description. However, three of us searched high & low and didn’t find the letterbox.The hike in to the location is what made me pause and realize that letterboxing isn’t a timed race, and finding the hidden letterbox is just a small part of why this is such fun. So, although I was disappointed that we didn’t find the box, the hike was worthwhile.

    Hyde’s Bench (with lens flares)

    Water’s edge, at letterbox location(?)

  • Stratham/GreenlandSandy’s BoxThis one was a joy to find on a gloriously warm & sunny day. If you search for this letterbox, be certain to follow the directions exactly.

    I won’t spoil the fun by explaining more, but do exactly what the directions tell you, in sequence, or you’ll get confused. And, afterwards, explore the trails; it’s a fabulous location!

    oak tree near letterbox

Letterboxing information

Letterboxing is sort of like a scavenger hunt, except that it’s not timed and the prize is the satisfaction of knowing that you found the hidden treasure.

In a nutshell: Using clues (usually found online), you’ll search for a letterbox in an interesting location such as a public park. The letterbox is usually a plastic container such as a Rubbermaid or Tupperware sandwich box.

Inside the letterbox, you’ll find a rubber stamp–sometimes a handcarved stamp–that you’ll use to stamp in your personal journal. It’s proof that you found it.

You’ll also stamp your personal rubber stamp (purchased or handmade) in the letterbox logbook, to show that you’ve been there.

Then, you’ll hide the letterbox where you found it, for the next visitor to find.

This is a rapidly-growing worldwide sport/hobby, that started in the U.K.

If you’d like to use your own handmade rubber stamp (almost no artistic skills required), see Carve Your Own Letterboxing Stamps.

Who goes letterboxing? See this page for photos and descriptions of a May 2002 letterbox gathering.


I began planting letterboxes early in 2002.  The following are my letterboxes.


One at Odiorne Nature Center.  (Details are at Letterboxing.Org.  I’ll post them here, later.)


  • Salem, MA – Briget Bishop letterbox. Reported missing.
  • Nashua, NH – Gilson Road Cemetery letterboxes (2). Both reported missing.
  • Portsmouth, NH & vicinity – Seacoast letterboxes. One active, one lost.
  • Katy, TX (nr. Houston) – Katy Birdwatcher #1. Reported missing.
  • Fort Worden, Port Townsend, WA (near Seattle) – Three letterboxes, all missing.


To learn more about letterboxing, check Letterboxing North America,

Also visit an international site, Atlas Quest.

For the GPS version of this hobby/sport, check Geocaching,

Letterboxing Gatherings

Letterboxing gatherings are great events.  Friends and strangers – letterboxers at all levels of experience – meet at a location with letterboxes.

Any of the following activities (and more!) can be part of a letterboxing gathering:

  • Informal or organized hunts for existing letterboxes
  • Event-specific letterboxes may be planted and found
  • Swapping stories, stamps and other letterboxing-specific items
  • Workshops
  • Picnics and cookouts

Here are some resources for more information:


Letterboxes (Past?)

STATUS: MOST OF THESE BOXES ARE (PROBABLY?) MISSING. See descriptions for individual status reports.

The following information is from years ago, when most of the boxes were still there.  I keep this online for those who did find these boxes, and want to remember where the stamp came from.

Seacoast NH

The NH Seacoast is the vicinity of Hampton and Portsmouth, NH. The edges blur between towns, so locals usually just call it “the Seacoast.”

When I carved my first Seacoast-related letterbox stamps, I didn’t realize that others had used that same name for their stamps and letterboxes, too.

However, a stamp is a stamp, so–when I planted them–some of mine bore the name “Seacoast.”

Seacoast1 Letterbox

Seacoast1 letterbox (not drewclan)


This box was planted in 2002, and — last reported in 2009 — I’m not sure if it’s still on the trail.  The logbook has been replaced at least three times, but the box remains one of my most popular, ever.

This letterbox is on the trail to an earlier (and, frankly, far better) drewclan letterbox. It’s at Odiorne Point Science Center park, and you’ll pass my box if you’re on the winding path to the drewclan letterbox.

My letterbox was tucked beneath a large boulder near the arched entrance to bunkers.  (It was one of the large boulders nearest the main trail, on the left as you’re looking at the bunker.)

I may restore the clues here, later.  For now, they’re at several websites, including Letterboxing.Org.  (Those sites are updated when a letterbox is confirmed missing. That’s something I’m not able to do, at the moment.)

And, in case you’re trying to figure it out, the stamp is supposed to show a lighthouse.

Odiorne Point Science Center park is an ideal spot for hiking, bird watching, or letterboxing.

Seacoast2 LetterboxMissing

Seacoast2 letterbox stamp

This stamp–now missing–was at the Urban Forestry Center, not far from  where Yoken’s was, in Portsmouth, NH.

It was hiding inside an old tree.  About a year after I planted the letterbox, the tree was cut down and the letterbox seems to have vanished with it.

It was an ideal location for letterboxing, but the mosquitoes can be ferocious during a warm, damp year.

Nashua, NH

All of the following letterboxes were planted before 2004. Every one of them was reported missing around 2007.

Gilson Road Letterbox

Gilson Road Letterbox stamp, Nashua, NH


NH Ghosts Letterbox

Unfortunately, I didn’t keep a copy of the hand-carved stamp, showing several comical ghost figures. (Apologies to those who take ghosts more seriously than I do.)

Ft. Worden, WA

Note: Before visiting any Washington State Park,it’s a good idea to review their regulations

I used to visit Fort Worden every year.  After 2004, I moved and stopped going to the fort. So, I was unable to maintain these letterboxes. Since then, all have been reported missing.

fort worden trails


Fort Worden Trails

This one was easy to find, but the stamp is missing now. It was at the main desk at the office at Fort Worden State Park. They kept it in the box directly behind the counter, with the Junior Ranger stamps, and so on.

Even though this stamp is missing, get a trail map and visitor’s info before hiking to look for any other stamps that have been placed in the park. The Fort Worden staff is very helpful, and they’re easy to work with if you’re planting any letterboxes. (Get their okay before planting any.)



Point Wilson Letterbox

Though the letterbox is now missing, these photos show the park and a possible location for future plants.

At Fort Worden State Park, find Battery Stoddard. It’s an easy walk from the office. Take the trail uphill, just west of Battery Stoddard. Continue straight up the trail, past the wooden step-like rails. Continue past the first bench.

first bench
first bench

Pause and sit at the second stone bench, and enjoy the view.

second bench

view from bench

point wilson

Stand, and turn to your right. Take about 38 paces uphill on the trail. You’ll go past two “waterbars” in the ground. They look like railroad ties, with Xs across them.


Continue up the trail. About 19 paces from the second waterbar, on your left you’ll see a large evergreen tree with a burrow started in the base of it.

burrow started in tree
burrow in tree

The letterbox was tucked just in back of that tree.  It wasn’t a very secure location, but it was a nice, easy find for beginning letterbox hunters.

“Artfest Was Here” Letterbox (with a nod to “Kilroy Was Here”)


This is where another of my letterboxes was.

Directions: From the previous letterbox, continue up the trail. You may be glad that you picked up a trail map at the Fort Worden office, so you can find Memory’s Vault easily. That’s where this letterbox is hidden. (For info about Memory’s Vault, see this website.)

At the vault, find the sheltered chair.

From the chair, turn to 140 degrees (SSE) and look at the split trees. They’re about 14 paces from the chair (and no more than three or four paces off the trail.)

The letterbox was in a green-lidded Rubbermaid container, hidden in the ivy in the elbow of the trees.  Again, it’s not a red-hot location, but I created these letterboxes to introduce people to letterboxing.  Yes, I knew the boxes would vanish. I was okay with that. During a 2004 arts event, attendees had a chance to find at least one of my letterboxes. That’s why I created them.

letterbox in the ivy

Letterboxing in Salem, Massachusetts

Letterboxing is a fabulous sport, and a worthwhile activity for families, Scouting groups, and homeschoolers, too.

If you’d like to know more about letterboxing, be sure to read my other letterboxing webpages, including easy tips for carving your own rubber stamps.

About my first Salem, MA letterbox

I planted this letterbox in 2002, at a beautiful park in Salem, near my home. In 2005, one person advised me that this box is missing; a later hiker said that she found it.

Since then, several people have said that the stamp is gone, and — after move than seven years — it probably is.


Because the park is in Salem, site of the famous “witch trials,” my stamp commemorated Briget Bishop, a victim of that hysteria.

These were the clues:

Briget Bishop letterbox – commemorating the first woman hung at the Salem “Witch” Trials.

Terrain: Mostly flat & paved, with one brief incline.
Clues: Very easy.
Notes: Watch for poison ivy and, atop the hill, there are some steep drops around the sides if a toddler or pet isn’t watchful.

Clues: Go to Forest River Park in Salem, Massachusetts. Hike back towards the public swimming pool. Climb the last hill on your right, before you reach the fence around the swimming pool.

Atop the hill, find the tree that survives although most of the interior of its trunk was burned out. Lean against the trunk, facing North. Take about eight (8) paces NW to a very slightly raised grassy mound.

When you’re standing on top that mound with your back to the burned-out tree and you’re amid several very young trees, look down to your left. Under a piece of wood, you’ll find your treasure.

Please be discreet, and be sure to replace the wood so the box is slightly obscured.

Remember that this was an easy box to find. If you don’t find it, it’s probably gone.

This is a fairly obvious letterbox in a very popular public setting. The illustration on the handcarved stamp didn’t turn out as I’d hoped. If this box has vanished, it won’t break my heart. It was just an excuse to visit a beautiful park and plant a letterbox.

This park has many features for children, two small beaches, swimming pools, and several spectacular views. Plan a picnic, but no charcoal fires and no alcohol are allowed at in the park. Pets allowed, on leash. The Salem 1630 Pioneer Village adjoins this park

Carve Your Own Letterboxing Stamps

When I started carving rubber stamps, I was reminded of why I hated high school art classes: I’m frankly terrible at this kind of stuff.

However, using Speedball’s pink rubber stamp material (get the kit – it’s worth it) makes this easy, even if–like me–you’re all thumbs when it comes to this kind of stuff. In 2006, the kit was under $20 at Michael’s.

Low-tech method

  • Sketch your design on paper with a nice black pencil. I recommend a pencil with a 2B or 4B lead, or softer.
  • Flip the paper over so it’s face-down on the pink rubber pad.
  • Trace over the lines again (or rub the back of the paper really well, all over), on top of the pink rubber pad.

The lines should transfer well to the rubber.

High-tech method

  • Photocopy or use your laser printer to print the image/s you’d like on the rubber stamp. (Inkjet will not work for this.)
  • Place the image face-down on the pink rubber pad.
  • Dab the back of the paper with acetone (nailpolish remover), until the paper is saturated.

The image should appear nice and dark, showing where to cut and where to avoid.


Either way, the next step is easy. Cut away everything you don’t want to grab ink. It doesn’t have to be a deep cut, just enough so it doesn’t come in contact with the rubber stamp pad when you’re printing.

You can cut with block printing cutters, or with an X-Acto knife. Different people like different cutters. I took more block printing classes than I can recall, so I’m more comfortable with the block printing cutter.

What’s key is not to undercut the image. That is, the part that contacts the stamp pad should be well-supported on each side. I like the illustration–and instructions–at Der Mad Stamper’s website.

If you make a mistake, you can glue the errant piece back in, so be sure to save it. If you’re using the pink Speedball rubber, Super Glue works fine. I used it, and except for the glue squirting all over my fingers when I punctured the tip to open it, it worked fine.

(Another handy reason to have acetone nearby. It’ll separate your fingers, but alas it doesn’t fully remove the glue.)

I applied the glue with a sewing needle, which did not stick to the rubber… but then the needle was glued to my desk when I put it down for minute.

If you use Super Glue, you’ll need to sand the glue off the stamp before using it. The glue resists ink. Sanding can be done with sandpaper, of course, but an emery board or file works fine too.

When you think you’ve cut the stamp pretty well, use a very light color of stamp pad to test the image. That way, if you need to cut more, you can still see your original lines.

Remember to cut less than you think you need. And also, it’s supposed to look hand-cut, so leave bits of rubber lines here & there for that “artsy” look.

When the stamp is done, you can use it as it is, or you can glue it to a piece of wood (for a handle).

The Shakespeare stamp–of my all-time idol–was my first attempt at carving a rubber stamp. I still use it, years later.

I carved the Aisling stamp (also shown below) specifically for letterboxing; that was the third stamp I carved. The second one was regrettable and is sitting in landfill somewhere.

But, whether you have a hand-carved stamp that you love, a hand-carved stamp that’s ho-hum, or a store bought stamp… get out and go letterboxing! It’s important to go out and play, even with an imperfect stamp.

my first carved stamp
(the bard, of course)

computer graphic for stamp

final rubber stamp (2 1/2″ x 1 3/4″)

Free Zine #1

A few years ago, I put together a single-sheet zine as a sample for my students in my ‘Make the World Your Art Gallery’ workshop.

It’s not an absolutely fabulous zine, and it’s not even much about art. It’s just a series of random pages. You could probably put them together in any order, and this zine would make equal sense.

front of single-sheet zine back of single-sheet zine

The page that says ‘Tour’ at the top is the front cover. When you print this back-to-back, the page that talks about travel should be on the back of it. (That is, inside the front cover.)

I had this online as a JPG, but that’s not the best choice for printing. It’s now a PDF, and it’s a 1MB download.

You may need to adjust the size or shift the paper so that the pages line up correctly, when printed back to back. But, when it’s assembled, it’s an 8-page zine from one sheet of 8 1/2″ x 11″ paper.

Here’s the link. You can right-click to save it to your hard drive, or you can simply click and open it as a PDF, and print it immediately.

Click here for the zine

Zine Layouts

I published my first zine in 1977. It was one piece of paper, printed on one or two sides, folded, stamped, and sent out with someone’s name & address written on the outside.

In time, I graduated to two or three sheets of paper, and I started rubber stamping & glittering my zines. Yes, each one was hand-decorated.

Since then, I’ve explored nearly every possible variation on the zine theme: Color and b&w; on 8 1/2″ x 17″ paper, and on a single 8 1/2″ x 11″ sheet, folded in half; and so on.

From what I’ve seen, the majority of people who create homegrown zines use letter-sized printed pages (8 1/2″ x 11″) and fold them in half. Each sheet of paper is four pages of the zine.

An average zine (and believe me, that’s an oxymoron!) is five to 15 sheets of paper, meaning 20 to 60 pages.

In swaps, most zines are at the small end of that figure.

In fact, plenty of them are just a sheet or two of paper.  They’re printed or photocopied (and sometimes cut).  Then they’re folded, and usually stapled to make a zine.

The classic zine design is funky. If you’re a purist, you’ll love this. If you’re on a budget, you’ll also love this: It’s a 16-page zine created with one sheet of legal-sized paper, period.

I don’t count the cover as a “page” when I number my zine pages, so my own version of this is 12 pages plus an outside cover & inside covers. Here’s how it fits on the paper:

sketch of a 12-page zine created from one sheet of paper

Cut on the solid lines and fold on the dotted lines.

Staple in the center. One staple is usually enough.

One stamp on the envelope is enough to mail one of these zines. You can tuck them in with your bill payments, with your notes to friends, with your swaps, with your orders to catalogues, and so on!

You can also scan your zine, uncut, and put it online so others can print their own copy, cut & assemble it. Easy!

But, it won’t hold much info unless you write small enough for a magnifying glass, or you find clever ways to expand the available space, such as adding fold-out pages & stuff.

That said, the 16-pages-from-one-sheet-of-legal-paper is regarded as a classic zine, if we’re talking about all kinds of zines, including poetry, fanzines, and so on.

Oh, sure, there are other ways to make zines. Look at books about making handmade books, for the best inspiration.

The concept is the same, but zines are usually smaller & more informal, that’s all.

If you want to create a zine that’s a work of art, that’s fine. If you want to get wild & crazy with design, that’s fine too.

However, keep in mind that a zine can be one piece of paper, b&w, printed on both sides, and folded in half. And that’s a four-page zine.

Some of these single-page zines are still in my collection.  By contrast, I haven’t kept some larger zines, though they were lovely to look at and filled with wonderful sentiments.

So, put your art & soul into your zine, and don’t worry about the size or technical stuff.

I love almost every zine I see.  Size, expertise, and visual quality often have nothing to do with how enthusiastic I am about a zine!

What I’m saying is: If you’ve wanted to create a zine for fun, or just to see what it’s like to make one, just do it!

The bonus is, if you swap your zines with others, you’ll receive fabulous zines in return, which you might never see if you hadn’t swapped.

Zine Basics

For years, I was the list moderator for the botmzines group/list at Yahoo!Groups, I decided to throw together some pages about zines.

For starters, the “botmzines” name came from the group that inspired it, the Book Of The Month list… BOTM. So, although botmzines swaps aren’t on any specific calendar, the group started with that name and so it remains.

With that bit of trivia out of the way, let’s discuss zines!


First of all, if you want something that is published on time, and is proofread, has high-quality graphics and writing, and generally sticks to the theme it had when you subscribed to it… subscribe to a magazine. You know, like Time, or Newsweek.

Zines are published on whim. Oh, sure, some people manage to write right-brained zines on a left-brained schedule. My hat is off to them. I have no idea how they manage it.

For fun, not profit

Zines are labors of love. We don’t make money on them, or if we manage to show a profit on one issue, we go crazy writing & re-writing the next issue, including color pages or something, and–bingo–we’re back in the red again. In other words, zines are not a way to make a living. Or even pick up some extra spending money. For most of us, zines cost money to produce but we love ’em anyway.

Zines are fun in a way that can’t be put into words. If you’re driven to create them, you’ll get a sense of satisfaction (and some angst) when you complete one and it’s in the mail to others.

Receiving a zine can be… well, I hate to say ‘better than chocolate’ because that’s such a cliche, and very personal.

That said, when a zine is cool, there aren’t enough superlatives for it. When a zine is weird, it’s truly out there… and usually fascinating, as well.

It’s often a love/hate thing.

There are almost NO generalities that can be made about zines, so let me tell you about my own eccentricities:

They make me crazy, but I love them anyway. And I love having zines to swap so I can get others’ zines.

My zines are published at odd times, vaguely quarterly. They bear a variety of names, also whim-based. They may be half-pages (printed on 8 1/2″ x 11″ paper, folded in half), or bigger, or even smaller. Some have cardstock covers, but most are all on the same kind of paper (and color) that came out of the photocopy machine.

Most of my zines are b&w. Most of them are loosely related to art, especially paper arts. Most are a mix of printed text, scribbled-in notes, and my own graphics.

Generally, after six months or so, I lose track of when people’s subscriptions started, so I close down new orders for awhile, and send out more than the subscription’s worth of copies (meaning that early subscribers can end up with two or more times the number of issues that they ordered). And then I start up again.

(Yes, that’s embarrassing. It’s also not unusual among people who create art zines.)

Generally, I make zines when I receive someone else’s zine and my batteries get recharged.

Why people create zines

From the classic guide to zine-making, Zine Scene: The Do It Yourself Guide to Zines, by Francesca Lia Block & Hillary Carlip:

“Tell your story… your obsessions, your fears, your dreams, in words and pics, because it is powerful, because it kicks, to express and connect, even if it’s not always pretty, cool, or slick.”

Also from Hillary Carlip, “Sometimes paper is the only thing that will listen to you.”

Worried about how it will look? Here’s another quote from Zine Scene:

“Who knows what Baroque pearls and sizzling diamonds of content lie buried in the impossibly small print, or floppity-sloppity-scrawly handwriting of a rough-to-read zine?”

In other words, say whatever you want to, and don’t worry about how it looks.

Or… go crazy with how it looks and forget about saying anything overtly pithy.

Either one works–or both!

Recommended reading, online

There’s so much good zine info online, I’m not sure why I even create webpages about them. Seriously. The same people who compulsively make zines, keep rolling along with enthusiasm and tell you all about them, online.

My favorite resources & inspirations, offline

  • Others’ zines. Plain & simple. Get your hands on as many as you can. The easiest way is to swap! You can swap through the botmzines list at Yahoo!Groups, linked above.
  • The Garage, Issue No. 2, published by Diane Moline. As far as I know, Diane makes her zines in very small numbers, and only for swaps. I’m thrilled to own two copies of The Garage.
  • Dog Eared Magazine, Issue Five, about Zines. For more info, see
  • Zine Scene: The Do It Yourself Guide to Zines, a book by Francesca Lia Block and Hillary Carlip. It’s considered a classic. When I checked in mid-2006, it had been out of print for awhile.  If you see a copy, old or new, snag it if you’re serious about zines.