Interested in Fabric Art? Start Here.

Fabric artist at workIf you’re interested in fabric art but don’t know where to start, here are a few basics.

First, decide the kind of fabric art that you’d like to start with.

You’ll have lots to choose from. Here are a few.

Cloth dolls and figures

If you’ve always loved dolls, stuffed animals, or art figures, you may enjoy making cloth dolls and figures. You can make them entirely of fabric, or mix different materials, such as a polymer clay face, or wooden chopsticks for legs.

Cloth dolls can be as realistic or stylized as you like. You can make sewing figures or no-sew dolls. Materials can include cloth and stuffing plus needle & thread, or alternative materials.

If you’re a beginner, your doll can be two pieces of fabric sewn, fused, or glued together. If you’re already a fabric artist, the sky’s the limit in terms of materials and techniques.

Years ago, at Yahoo!Groups, I started a group called Wild Art Dolls. It was wild and it was fun.

Quilts and wallhangings

Many people start their fabric art careers by making quilts. You can start simply, sewing together squares of fabric.

Or, you can use a commercial pattern–or your own design–for a more unique statement. You can work with traditional designs, or wildly contemporary concepts.

For an overview of your options as a quiltmaker, see these two magazines: Quilters Newsletter magazine, and Quilting Arts magazine.

For mixed media art that includes fabric – a fine way to mix your other favorite techniques and materials with quilting & fabric – check Cloth, Paper, Scissors. They have LOTS of fun ideas!

I started with traditional quilts in the mid-1970s. (Yes, really. I started young!)

At first, I hand-pieced baby quilts. As I became more comfortable with quiltmaking, I made larger quilts with my sewing machine.

Next, I learned “quilt in a day” techniques using strip piecing, and modified these designs to make quilts for shops and galleries.

Finally, I started incorporating fine arts and crafts techniques and mixed media approaches to art quilts and wallhangings.

That’s what I’m working on again, now.

Cloth jewelry and accessories

Many people enjoy making fabric jewelry, such as cloth beads, bracelets and cuffs, and necklaces. These are a fine starting point for beginners.

Also, you may enjoy making fabric art accessories for your wardrobe and as gifts for others. These can include belts and sashes, purses, hats, and more.

A quick search for the topic that interest you

Wearable art – clothing

Pieced and/or embellished garments are among the most fabulous and complex fabric art projects. Belle Armoire magazine is very popular among paper and mixed media artists making the transition to wearables.

Special issues of Threads, Ornament, and Quilters Newsletter magazines also feature wearable art and related topics.

Where to start…?

My best advice is to start with whichever area seems most exciting to you. There are simple and complex approaches to every kind of fabric art.

Pick one and get started today. You’ll soon find a niche whether you’re a beginner or an experienced tailor/designer/artist.

Delve in and have fun!

Cotton v. Polyester fabrics

fabric-illus1Before rushing out to buy supplies for your fabric art projects, consider a these important points.

Many fabric artists (including me) prefer 100% cotton for most
projects. The benefits are clear:

    Cottons are durable. They don’t “pill” or develop small little fiber balls on the surface.Cottons tear on a straight line. This saves tedious cutting. Clip at the start of where you’d like to tear the fabric, and then start ripping it. 100% cottons tear straight across the fabric. The better the grade of cotton, the cleaner the line.

    Stains are easier to remove from cottons, partly because of the fiber, but also because you can safely launder cotton in very hot water. And, you can bleach white cottons; you should not use chlorine bleach on most polyester fabrics.

    Colors are richer in many cottons, compared with their polyester counterparts.

    Cotton is cooler in summer and warmer in winter, than polyester fabrics.

But, there are compelling reasons not to use 100% cotton in some cases, too:

    You must preshrink cottons, even if the bolt says that the fabric was preshrunk.Cotton wrinkles. If your wearable art is intricate and difficult to iron, this can be a problem. In fact, if you don’t like ironing or don’t have time for it, your favorite wearables may end up being worn infrequently.

    Cotton can fade. If you accidentally add bleach to a laundry load that included colors, the results can be disastrous. Likewise, if you leave a dark cotton in the sun, it will fade. Finally,
    if you work with black or very dark cottons, use detergents designed for dark fabrics, to prevent fading.

    Some image transfer processes work best on polyester blend fabrics.

In general, I use cottons unless there are compelling reasons to use polyesters.  In practical use, I’d guess that I use polyester fabrics less than 1/10 as often as I use 100% cottons.

On my fabric art shelves, I store the cottons separately from blends and polyster fabrics.   It’s important never to confuse the two.

Choose the best fabric for each project, individually.  The purpose of each project will help you decide whether to use cotton or another fabric for your art.

Faerie Grandmother Pindoll

My faerie grandmother pindoll is still among my favorites. That’s partly because the doll’s face belongs to my paternal grandmother.

I wanted to create a happy pindoll to remind me of what I liked best about that grandmother. She’d lived to age 80, but that wasn’t long enough.


faerie grandmother pindoll

(click image to see full sized)

This is the second of a series of pindolls that I created by hand.

I printed my original collages on cotton. Then I sewed, quilted, stuffed, and beaded them by hand.  (I did a lot of this work on airplanes, as I flew across the U.S. to teach my “wild art doll” workshops.)

Finally, I added the beaded antennae and a simple pinback, so she could be worn as jewelry, or attached to a curtain.

Because these were sewn, quilted, and beaded by hand, not machine, each doll was slightly different, and one-of-a-kind.

I swapped lots of these dolls, and sold some of them at conferences such as Artfest.  If you’re not sure if you have one in your collection: These dolls are three inches tall without the antennae, and about three and a half inches tall with them.

My original collages, printed on the fabric, were made with antique photos and illustrations.

This one includes the face of Mary Ann Loretta Boyle, whose family was from County Cork, Ireland.

Today, I think of her as a “faerie grandmother,” sort of a fairy godmother, but with chocolate chip cookies.

History of Paper Dolls – Part 2 of 2

Note: This is the second part of a two-part article tracing the history of paper dolls.  See The History of Paper Dolls, part one to read the first part.

20th century paper dolls – A brief history

Mary Jane Hader paper doll imageIn the 20th century, other magazines followed this trend, including Ladies’ Home Journal  (Sheila Young’s “Lettie Lane”), Pictorial Review (Grace Drayton’s “Dolly Dingle”), Good Housekeeping (Sheila Young’s “Polly Pratt”), and the famous “Kewpie Dolls” by Rose O’Neill in Woman’s Home Companion.

At right, Little MaryJane, one of the famous Hader paper dolls from Good Housekeeping magazine.

The most popular paper doll of the mid-20th century was probably Betsy McCall, created by Kay Morrissey. However, children also enjoyed paper dolls in many magazines of that era, including Jack and Jill Magazine, and Children’s Playmate.

Since 1962, Barbie paper dolls have become the most popular among American children.

Paper art dolls, and fine art paper dolls – Where to find them now

Today’s paper doll designers frequently have backgrounds in fine arts. Many of them work together as part of the Original Paper Doll Artists Guild, based in Kingfield, Maine.

Their collectible paper dolls often feature celebrities and fashions from history, and are intended for both adults and children.

Paper dolls by Aisling
One of my designs for Art Doll Quarterly, Winter 2004 issue.

Paper dolls have been emerging for several years in the paper arts community, too. My own article (and pattern) in the Winter 2004 issue of Art Doll Quarterly is just one among many places to see examples of this emerging art form.

One of my designs is at right. The dolls were printed on vintage pages, and hinged with small, brass round-head paper fasteners.  The hair was tinted wool (designed as doll hair), accented with feathers.  Each doll was hand-colored.

Sometimes called “fine art paper dolls” and also “paper art dolls,” even the name is still evolving.

Today’s paper art dolls are sometimes drawn, painted or printed on paper. However, even more of them are one-of-a-kind, and more mixed media dolls than purely paper dolls.

For example, some artists swap hinged dolls on Artist Trading Cards (ATCs), and participate in exchanges and round robins involving paper art dolls.

This is a very exciting field, mixing a nostalgic love of dolls, with fresh and vibrant creative expressions.

References

(Note: This article was written around 2005.  These links may not be current.)

History of Paper Dolls – Part 1 of 2

Today’s paper dolls evolved from ceremonial and performance figures, and dressmakers’ fashion dolls.

General history

Paper was invented in China around 105 C.E. by Ts’ai-Lin, a courtier from Lei-yang. Although the word ‘paper’ is derived from ‘papyrus’, this early paper was not a papyrus product.

With paper’s development in nearby China, it should be no surprise that the earliest paper dolls were reported in Japan in 900 C.E. (or earlier), when a purification ceremony involved placing a paper figure and a folded kimono-like object in a boat.

According to legend, China was likewise responsible for the Spanish pinata when 13th-century explorer Marco Polo brought the tradition home from his travels in Asia. It is possible that the Western movement of paper dolls began in China, where puppets were used in shadow shows. These large puppets were often flat and mounted on sticks to create dramatic shadows on a screen.

Some paper doll historians include the shows created for the upper class in France, where life-sized jumping-jack figures, like marionettes, were used to satirize nobility. Other cultures practicing a variety of paper arts—including the German scherenschnitte—may have influenced the development of paper dolls.

However, our modern paper dolls trace a more direct history to traditional dolls, not puppets or even paper arts.

Dolls in general date from earliest recorded history.

Manufactured dolls trace their European popularity to wooden dolls made in Germany in the 17th century. To meet demand by the early 18th century, German dollmakers were employed throughout Europe.

Modern paper dolls

Paper dolls appeared in Western society in the late 18th century, when French dressmakers’ life-sized dolls were replaced with the “English fashion doll.” These eight-inch tall figures were printed on cardboard (invented by the Chinese about 200 years earlier), and jointed with threads. They came with underclothing as well as several changes of dresses and coiffures. At about three shillings (about $15 in today’s American dollars) for a complete doll and wardrobe–plus an envelope to store her in–dressmakers could afford to own several sets, and distribute these dolls among their favorite customers.

1810 paper doll - little fannyIn 1810, the London firm of S. & J. Fuller & Company printed the first commercially popular paper doll, Little Fanny, with a 15-page book that included seven figures and five hats. Fanny’s head & neck were separate, and fitted into various outfits as the moral tale, The History of Little Fanny: Exemplified in a Series of Figures, was told. (Fuller also published the earliest “peep show” books, which were hinged, tunnel-style books.)

At five to eight shillings for each book, their primary audience included wealthy families. (Today, that’s the equivalent of 9 to 15 pounds, or US$13 – $22.)

The success of Little Fanny was followed two years later in America when J. Belcher printed a paper doll with a similar moral tale, The History and Adventures of Little Henry. Within ten years, boxed sets of paper dolls were popular playthings for children in Europe and America.

These dolls were often lithographed or hand-tinted, although some were left black-and-white for children to color.

Beginning in the 1830s, celebrity paper dolls featured entertainers such as ballerinas and characters from the P. T. Barnum Circus, as well as British royalty. In 1838, when Charles Fenerty made the first paper—newsprint—from wood pulp, the price of paper dropped dramatically, making paper dolls affordable for more families.

McLoughlin Brothers in the United States—later purchased by Milton Bradley—quickly became one of the largest manufacturers of paper dolls, printing them from engraved wooden blocks. Dottie Dimple was one of their most successful paper dolls, and McLoughlin was a leader in this field throughout the 19th century.

Several other American companies, including Crosby, Nichols & Company (Boston), Frederick Stokes, and—later—Selchow and Righter, contributed many different styles of paper dolls to meet popular demand.

During the Victorian era, Godey’s Lady’s Book, was the first magazine to publish a paper doll in their November 1859 issue.

This article continues in History of Paper Dolls – Part Two.