Sock Dolls – Step-by-Step, in Photos

Sock dolly reads vintage newspapers.
Sock dolly reads vintage newspapers.

Last year, I began making sock dolls. I was inspired by the book Stray Sock Sewing.

Here’s how I made my sock dolls for the Wild Art Dolls swap in July 2010.


You will need one sock, some batting or stuffing, Fray-Check, and your basic sewing supplies. (Needle, thread, scissors, and a thimble if you use one.) You’ll also want something for eyes, nose, and other embellishments. At the very least, that will be embroidery thread, yarn, or a contrasting color of regular thread.


Start with a large, children's sock.
This is the sock I started with.

First, I started with a large, children’s sock. I’d already washed it in the laundry so, if it was going to shrink, it had already done so. (If the sock dolly needs a bath later, we don’t have to worry about him or her shrinking, puckering, or losing color.)

You should do the same.

Then, stretch it out so the heel is exactly centered, horizontally. Then, the finished doll won’t look too off-center.

Prepare the sock to become a sockdoll.
Arrange the sock so the heel is centered.

Next, you’ll cut off the toe part of the sock. You’ll be removing somewhere between 1/2 and 1/3 of the sock above the heel. That will vary with the size of the sock and your plans for the doll.

Remove the toe part of the sock.
Remove the toe part of the sock, and a little extra.

If you remove a smaller amount, the doll will have longer ears and shorter arms. If you remove more, there will be shorter ears and longer arms.

Remember: If something goes terribly wrong, you still have another sock. You can use that to supplement the pieces you cut from this sock, or you can start all over again.

The next step is to cut the cuff of the sock, perpendicular to the cuff. What you’re doing is cutting the seam area for the legs. For shorter legs, leave more uncut. For long legs, cut closer to the heel.

Above all — unless you have an octopus kind of doll in mind — don’t cut all the way up to the heel.

Cut the legs by starting at the sock cuff.
Starting at the cuff of the sock, cut both layers up the middle.

The next step is to cut a notch where the ears will extend. Once again, the deeper the cut, the longer the ears. Avoid cutting all the way down to the heel, unless you want a really deranged-looking doll with a strange, short face.

Sock doll directions - cut a notch for the ears.
Cut a rectangle or square out of the remaining area where the toe was.

Finally, you’re going to use the toe part that you cut off at the beginning. Lay it flat and snip in into two equal parts. These will be the arms.

Sock doll arms.
Cut the toe part in half – just one snip – to make the arms.

Now, it’s time to seal the edges of the sock so they don’t unravel as you’re working. You’ll use a product called Fray-Check for that. You can find it in many sewing supply stores, or order it from If you’re making a lot of sock dolls (like for holiday gifts), pick up a couple of bottles of Fray-Check. You will go through it pretty quickly. (Plus that, it can dry out in the bottle, after a few months.)

Fray-check by  Dritz
You’ll need Fray-Check, a product by Dritz.

Apply a moderate amount of Fray Check to every raw edge on the doll. Be especially generous where there are angles, indicated by the blue arrows. Those points will get the most stress as the doll is being finished.

Apply Fray-Check to the raw edges.
Apply Fray-Check to all raw edges. (Remember the arm pieces, too.)

Let the Fray-Check dry completely. This can take an hour or two. Don’t sew while the fabric is damp, or it can stretch and bubble.

Next, sew the top of the head. That’s where you cut the rectangle out, and it’s on the right side of the sock in the photo above.

Sock doll ears, ready to sew.
Sew the ears and the top of the head.

Sometimes I sew along the wrong side of the fabric, and then turn the doll right-side out. At other times, I sew the whole thing from the outside, using an overcast-type stitch.

Then, turn the doll right-side out, so you can start stuffing it.

Stuff the doll from the bottom.
Stuff the doll from the bottom.

When you’re stuffing the ears, it’s a good idea to make them fairly solid. I use a chopstick or a stuffing tool for this purpose.

If the ears are really long, you may want to insert a wire after the ears are stuffed. You can use a pipe cleaner or any firm but flexible wire for this. Then, you can bend the ears in zany angles.

Now, you’re ready to sew the legs, stuff them, and then sew the edges of the feet.

When your doll looks like this, you're ready to work on the legs.
When your doll looks like this, you’re ready to work on the legs.

Sew the leg seams, but not the feet. Stuff the legs. (A chopstick, smooth end of a pencil, or stuffing tool is ideal.)

Finally, when the doll is how you want it to look, stitch along the bottom edges of the feet.

At this point, I like to add the beads or buttons for eyes, and a nose. I usually use embroidery floss for the nose.

The doll is beginning to have character. I think that’s important, before attaching the arms. Arms can make a remarkable difference in the attitude of the doll.

Ready for the arms.
Ready for the arms!

For the arms, you’ll sew the seams on the toe pieces you cut at the beginning.

Sock doll arms.Sew just the longest side of each one and stuff it. Depending on how hard it is to hold the shoulder part together, you may want to baste it closed after the arms are fully stuffed.

If they’re only loosely stuffed, you can skip the basting step and attach the arms directly to the doll.

After that, you can add wings, hair, a pom-pom tail, or any other embellishments you like.

Completed doll.
The completed doll!

Additional examples

Here are a couple of other sock dolls I’ve made. They were propped up in Rubbermaid sandwich containers, so you can see them better. That also gives you an idea of the scale of them.

Black-and-white sock doll. Bead & button embellishments.

Here’s the same doll in profile. He has a yarn pom-pom tail.

Another doll, shown below, is made from an adult’s pink sock. The top of the head looks like the doll is wearing a cap. I made the cap from a second, different pink sock. I let the lower edges roll up, like the brim of a knit cap.

I also embroidered a heart on her, and gave her faerie wings.

Doll in profile.

Once you get used to making these dolls, you’ll find ways to mix n’ match pieces from different socks for different effects.

I can usually make one doll in an evening (about three or four hours), while I’m watching TV or talking with my family.

More Sock Doll Tips

  1. Sock dolly helps in the kitchen!

    Use children’s socks for the best colors and patterns. For larger, colorful socks, I find good patterns & prices at places like TJ Maxx, especially in their sale sections. If you’re interested in tiny socks for the dolls or to add as ears, arms, or a tail, check the $1 section of Michael’s Arts & Crafts. Some of their Mary Engelbreit-type socks can be wonderful for sock dolls!

  2. Use Fray-Check by Dritz. Amazon carries it, or you can usually find it at a sewing supply store like JoAnn Fabric. I seal all edges before I sew them. (Usually, it takes a couple of hours for the Fray-Check to dry thoroughly. If you sew the edges while the Fray-Check is damp, the fabric can stretch too much.)
  3. Always use good batting or stuffing. Even more than other cloth dolls, the squishy nature of sock dolls means you can’t afford lumps or flat spots. (Among my favorites: Soft-Touch by Fairfield.)
  4. If your doll might get soiled easily, use any waterproofing spray on stain-resisting spray, after you complete the sewing but before you add any beads or buttons.
  5. If you’re making a doll that you’ll turn inside-out, after sewing, always try to make the final seam (the one you’ll sew on the outside) where the doll sits down. That way, the seam isn’t so noticeable.
  6. If your doll should sit and not fall over easily, make a small bean bag that will fit inside the “rear end” of the doll. Fill that bean bag with something heavy. I use anything like poly-pellets, or well-rinsed gravel intended for fish tanks, or even unscented kitty litter. (The latter, being clay, can deteriorate and turn to messy dust if handled too often.)
  7. If your dolls are small enough, check the dollhouse furnishings aisle (at Michael’s, etc.) for accessories you can use with (or glue to) your sock dolls.

Sock Doll Swap – Jul 2010

A sock doll swap is an exchange of dolls made from socks.

In this 2010 Wild Art Dolls exchange, the dolls had to be made from socks and three of them had to fit inside a flat-rate Priority Mail envelope.

Three of us participated. Here are some of the dolls:

Sock dolls by Lisa Cottrell, OH
Sock dolls by Lisa Cottrell
Sock dolls by Sue Martino, NJ
Sock dolls by Sue Martino
Sock doll by Aisling D'Art
Sock doll by Aisling D’Art

My dolls were almost identical. (The fluffy orange bits at his right shoulder are ends of the yarn I used to give him a pom-pom tail.)

My doll design started with ideas I gleaned from the book, Stray Sock Sewing. (As I’m writing this, you can snag a good, used copy for under $3.)

I love making dolls from socks!

Historical notes

Of course, the classic sock doll is probably a sock monkey, invented around 1932. I think many people have happy memories of sock monkeys from childhood.

A quick survey of Amazon will show lots of different kinds of sock monkeys, including a Beanie Baby sock monkey, and books about making dolls (including sock monkeys) from socks.

Choosing Fabric for Your Cloth Doll

Dali's house in Costa Brava
Nobody said you have to follow the “rules.”

The first rule of cloth doll making is: BREAK THE RULES!

Nobody said the skin fabric has to be pink. Or muslin. Or brown. Or whatever.

Your doll’s skin can be purple. Or green. Or paisley. Or white lace over silver lame that you’ve fused to muslin.

Nobody said that your dolls’ legs and arms and faces all have to be made with the same fabric.

If your art doll is for show more than for actually playing with, the skin can be something other than fabric. Like twisty paper. Or layers of raffia that you’ve fused to muslin so the “skin” holds together and the muslin doesn’t show. Or a paper grocery bag. Or autumn leaves. Or even dollar bills, fused to muslin to make a big enough piece of “fabric.”

Nobody said her (or his) clothing has to be tasteful, or stereotypically shocking with black lace and a boa, either.

Of course, sometimes you MUST make a good trashy doll, just for the sake of having her around. Or an Elvis impersonator doll, for the male counterpart. (Or, in my case, Voodoo doll Barbie.)

Nobody said that your doll has to wear clothing made of fabric, either. Feathers might work. Or foil. Or maybe you’ll melt some 3.5″ computer disks (ventilate very well if you heat them) and give her a high-tech breastplate.

When you’re making a cloth or mixed media doll, you have many, many options.

Don’t be limited by rules in your head. And don’t be limited by rules from famous dollmakers or even your teacher.

Cloth doll goddess Elinor Peace Bailey once made an amazingly insipid doll, just to break her own anti-rules.

The point is, when you plan your doll, think big. Think original. Break the rules. Be outrageous.

But mostly, be your most creative self.

Cloth Dolls – How to Choose Your Doll Stuffing

Cloth doll - lambNot sure how to choose the right cloth doll stuffing?

Here’s the punch line: Buy the best doll stuffing (ex: fiberfill, polyfill, batting, cotton wool) that you can afford.

The cheap stuff may look the same in the bag. It may even feel the same if you squeeze it.

You may think, “I’ll bet this is a no-name brand made by the expensive brand, and it’s really the same stuff (so to speak), for half the price.”

You’d be wrong.

In terms of lumps in your doll (or your teddy bear), and how the batting holds up over time, there is only one way to go: Buy the best doll stuffing you can afford. You won’t regret it.

What I use in my cloth dolls

This is a good choice.

I like Fairfield and Mountain Mist stuffing and batting for my own dolls. I buy their top-of-the-line products, and I’m always pleased with the results.

Yes, those top brands can seem expensive.

However, if your handmade cloth doll might have to be laundered in a washing machine, cheap stuffing will wad up and the doll will lose its shape. In fact, it could look like a strange lump.

Generally, if you stick with a respected brand name, you should be fine.

batting for doll makingRight now, I lean towards Fairfield for doll stuffing, but that’s a matter of personal taste.

As long as you’re buying a very good brand, and avoid their “bargain stuffing” (if they have one), try different kinds and see which suits your dollmaking style.


While we’re talking about cloth doll stuffing, remember to stuff your art dolls so the filling is tightly wedged into the doll.

If it’s too loose, the doll will look lumpy after she’s been picked up, hugged, and otherwise played with for a few months.

Doll stuffing tools

For the best results, collect a variety of doll stuffing tools. One great tool is called a Stuff-It. It used to be sold by Dritz, but it’s hard to find now. It can be used to stuff teensy fingers, as well as turn nice corners.

If you can’t find that — and if you’re stuffing lots of tiny corners, fingers, etc. — you’ll fall in love with the Clover Stuffing Tool.  It’s not as generally practical as the Dritz Stuff-It tool, but for detailed stuffing, you’ll want to own the Clover tool.  It’s also ideal for turning itsy-bitsy cloth fingers.

Your dollmaking kit will also include a chopstick or two. The lacquered kind with the fine point on one end and a round or square end on the other, is amazingly handy. You may want to sand the lacquer with very fine sandpaper, so the lacquer doesn’t slip through the stuffing too easily.

If you do a lot of dollmaking, go to any arts & crafts store and select a few plastic tools intended for shaping clay.

You’ll be amazed at how handy they are, for turning and stuffing dolls.  I bought this set and I’ve used them for all kinds of arts & crafts projects… none of which involved clay.

The idea is to have tools that are pointy, but not too pointy for the job. If you try to use a pencil point, it invariably slips through the stuffing, leaving a lead-black mark that shows through the fabric. Ick. Getting pencil marks off fabric… well, it’s not easy.

Likewise, trying to stuff with scissors results in unexpected holes when the scissors slip, despite your best intentions and efforts at control.  (Yes, I cried when it happened.)

How much doll stuffing to buy

Buy great doll stuffing.

  • You’ll need at least two or three times as much as you think, looking at the bag. It will compress to about one-quarter its original size. Or more.
  • Buy a one-pound bag for a normal, happy teddy bear.  That same bag will fill at least half a dozen sock dolls, and several medium-sized dolls.

Never, never, NEVER buy cheap doll stuffing. It’s not worth it.

Even from the start, the doll just won’t look quite “right.” I don’t know why, as the stuffing’s weaknesses usually doesn’t show up right away. But I learned quickly; cloth dolls (and teddy bears, and other stuffed figures) don’t look as good if the doll stuffing isn’t top quality.

If you have to cut corners, select a budget fabric rather than purchase cheap stuffing.  (See my article about preshrinking fabric for fabric advice.)

Buy the best cloth doll stuffing, and your dolls will thank you for it.

Here’s one that I recommend:

Mountain Mist Premium Fiberloft

I’m using this in my current cloth dolls and figures.  It’s easy to handle, holds its loft well, and — with a Stuff-It tool — it wedges nicely into tiny corners.

It seems to wash well, so I also use this for a trapunto effect (stuffing details separately, through concealed openings in the fabric) in my other fabric art.

Because this stuffing holds up well and remains fluffy, it’s a good choice for large dolls and stuffed animals that a child will use as a pillow.

You can find it at most fabric stores, or order it through (That link takes you to the three-pound size. It will probably last a long time, depending on how many dolls you’re making, and how large they usually are.)

Articles at others’ websites:

Tips and Tools for Creating Soft-Sculptured Dolls by Miriam Gourley.

Have a question or a helpful tip?  Leave your thoughts about cloth doll stuffing in a comment, below.

Cloth Dolls – Should You Preshrink Fabrics

Should you preshrink fabrics (or prewash them) before making a cloth doll?

clothes on a clothesline
If you’re preshrinking fabric, use a dryer, not a clothesline.

Yes… and no.  It depends upon what’s important to you.

Why not to prewash or preshrink fabrics

Fabrics, especially cottons, never look quite so “fresh” after prewashing.

The sizing* and surface finish wash off, so the fabric doesn’t look as smooth. In most cases, you’ll never wash the doll in a machine anyway.  Why worry about shrinkage?

Also, not preshrinking fabric saves you considerable time since you won’t be ironing it.

You can rush home with your new fabrics, and head straight to the cutting table. That’s ideal if you have amazingly creative visions in your head, and you can’t wait to turn them into a doll or two or three!

Dolls seem to turn out best when the full energy of your brilliant concept is right there, fresh in your mind.

Pausing to do anything mundane, such as washing & drying, can be lethal to that fresh & vital energy.

In other words: You don’t have time to preshrink fabrics.  Just get to work and create that doll!

Yes, the fresh-from-the-store surface treatment may repel inks and paints when you’re adding details (such as the face).  That’s easy to fix.  Add a couple of drops of a surfactant** to your painting water, to break down the resistance. Prewashing is not necessary.

Why you should prewash or preshrink fabrics

When fabrics have been treated with sizing and a surface finish, they often won’t accept paint, pen, and/or felt marker designs as well.  If you’re adding a lot of artwork to the surface of your doll, that’s a problem solved by prewashing.

If the doll has an accident — like when something spills on her — you can wash her (carefully, of course) without worrying about the results. Prewashed fabrics have already shrunk, bled, puckered, and softened as much as they’re likely to.

If you always preshrink fabrics as soon as you bring them home, you can confidently use the same fabric in your wearable art and know that the finished garment can be tossed into the washing machine.

How I preshrink fabrics

First, I trim any loose threads off the fabric. They’re going to fray in the laundry.  Sometimes, those loose thread can wrap the fabric into a tight, wrinkled ball by the time the drying is completed.

If it’s a small and expensive piece of fabric, I may fray-check the cut edges to prevent further unravelling and fraying.

Dritz makes a product, “Fray Check,” for this, and other manufacturers have similar products. It’s a lifesaver, in my opinion.

Before prewashing, I refold the fabric so it is not folded along the same line as it was on the bolt.

If you don’t do that, the original fold line will promptly wear and fade, even in the first washing.  You’ll have to cut around that part of the fabric.

I always wash the fabric by itself, or in the laundry with dark items that will not bleed.

(“Bleeding” colors mean colors that aren’t permanently dyed.  Some of the color will wash out during the first washing, and sometimes during successive laundering. )

For example, my kitchen dishtowels don’t show stains, so they can be washed when I preshrink fabrics.  If I’m not concerned about mixing fabric weights in the laundry, I often wash older blue jeans with my new fabrics, too.

Three things can happen when you preshrink fabrics:

First, there’s the effect of water on the fabric.

Some fabrics pucker, wrinkle, and go limp in water.

The puckering and wrinkling can be steamed out when you iron. The limpness is resolved with a spray sizing or starch, usually added when you iron.

However, if you’re going to paint or draw on the fabric, it’s best to apply the sizing or starch after you paint or draw, so the pigment is well absorbed.

Next, consider the effect of soap and water on the fabric.

The colors may run as you preshrink fabrics. The texture of the fabric may change, too.

Almost anything can happen, particularly if you’ve bought a cotton by an unknown manufacturer, or a mixed-fiber fabric from the markdown bin.

I use cold water the first time I wash a fabric. Some people also add a small amount of vinegar or salt to the water, to set the colors. Or you can use one of those disposable towels that absorb excess (“bleeding”) colors in the washing machine.

Sometimes, texture changes can be remedied with plenty of steam ironing and starch or sizing.

However, some fabrics will never look the same as when they were new, which is why some dollmakers prefer not to prewash.

Finally, there’s the effect of dryer heat. I use the hottest dryer setting and dry the fabric for over an hour, usually tossing in other loads of laundry rather than wasting dryer heat on just one piece of fabric.

(Exposure to dryer heat can be the most important step when you preshrink fabrics.)

In my experience, shrinkage is not eliminated until the fabric has been through two to three hours of dryer heat.


If you love the fabric just as you bought it, and you don’t plan to wash your cloth doll, ever, there’s no reason to preshrink fabrics.

However, if your doll may be exposed to wear & tear, and stains or dirt are possible, preshrinking can reduce worries.

Fabrics can change color, size and texture in the laundry and dryer.  In some cases, you can restore the texture.  Faded colors and shrinkage usually cannot be reversed.

I preshrink almost all of my fabrics before using them in dolls, but there are exceptions when the doll will be displayed, not worn (as a pin doll) or played with.

* Sizing: Similar to starch, sizing is a fabric treatment that makes the fibers stiffer, crisper, and “fresher” looking. Sizing washes out in the laundry, but you can replace it in the rinse cycle, or with spray-on sizing when you iron.

** Surfactant: A product which breaks the surface tension of water, and helps “cut through” the protective layers sometimes applied to stain-resistant (and other) fabrics.

I use a Shaklee product called Basic H, and place two or three drops in a pint of water when I’m using watercolors on a doll, if the paint beads too much. But, you can do the same thing with a drop of dishwashing liquid. (That is, liquid soap intended for washing dishes by hand.)

Consider every reason to preshrink fabrics (or not to) before deciding.

Dolls’ Faces – Easy Homemade Molds

Homemade dolls’ faces are easy to make, even with little or no sculpting skills. Whether you want to make a doll’s face, a doll’s head, or a mask for a doll, you can make it yourself in under an hour.

Sculpting skills are not necessary. Here’s what you need:

  • An existing doll that’s the right size, in any condition.
  • Fimo, Sculpey, or a similar clay that you can dry or bake at home.
  • Optional : Tools for carving the clay. (They can be anything from kitchen utensils, manicure tools, or plastic or wooden tools for working with plasticene or other clay.)

homemade dolls faces using oven-baked clayIn the photo above, you’ll see the molds I’ve made.  They’re on the right.

In the center column, you’ll see the results, after using those molds.

On the far left, to show size, I have an American quarter (25-cent coin) and 20p from Ireland.  (I wrote this article before Ireland joined the EU.)

You can make your own molds in any size.

Here’s how I used one doll’s face from this experiment.

Not quite an altered doll
Not exactly altered, and not exactly a doll…

Let’s talk about the two molds that I created, and how you can make them yourself.

The doll mask

In the top row, the mold was made from a vintage international doll. That doll is made of cheap plastic and her face has a nice expression.

To make the mold

  1. First, I dusted the doll’s face with cornstarch.
  2. Then, I kneaded a lump of Fimo to soften it, and then flattened it slightly so it was bigger than the face of the doll.
  3. To create the mold, I gently (but firmly) pressed the Fimo onto the doll’s face.
  4. Starting at the top, I carefully peeled the Fimo off the face of the doll.
  5. I gently pressed the mold back into shape.
  6. Following the directions on the Fimo package, I baked the mold and then let it cool.

To make the doll mask

  1. Dust the mold very lightly with cornstarch or talcum powder.
  2. Press kneaded, prepared Fimo (or any clay that you can bake at home or air dry) into the mold.
  3. Carefully remove the Fimo from the mold.
  4. If the Fimo changed shape as you lifted it out of the mold, gently bend it back to the shape you want.
  5. In the edges (flaps) on either side of the face, create holes for the ribbon.  (I used the point of a mechanical pencil.)
  6. Bake Fimo (or any clay) according to package directions.

The result is a mask that you can paint, add ribbons to, and tie onto a cloth doll as a mask or an alternative face.

By studying full-size masks — including Native American designs and Italian masks — you may think of more elaborate designs to modify your doll masks.

Stylized, modern doll head

In the lower row in the photo above, you’ll see a mold that creates a very simple face for a doll. This is a very stylized doll’s face, with a brow, a nose, optional area for eyes, and you can add a mouth if you want… or leave it blank.

It’s a little like faces in artwork by Paul Klee, and inspired by the figures on Easter Island.

To make the mold

I started with a small ball of kneaded Fimo. I smooshed it flat — about 1/4 inch thick — and smoothed the edges.

Then I cut out a three-sided notch with a paring knife.  That notch is the size and shape of the figure’s nose.

After cutting the notch, I smoothed its edges.

Next, I curved up the lower edge of the clay mold.  That created a handle that makes it easier to use the mold.

Then, I punched a small hole in the handle — with the tip of a mechanical pencil — so I can put a string through the mold, to hang it with others on my studio wall.  (I wish I’d done this with all of my molds.  It makes storage much easier.)

I baked the mold, following the directions on the Fimo package.

To use this mold

  1. Roll a ball of Fimo (or any clay you can bake at home, or air dry).  Prepare to experiment with various sizes of lumps of clay, to get the proportions you want for your doll’s head.
  2. Place the ball of clay on a smooth surface.
  3. Press the mold into it
  4. Carefully lift the mold from the clay.
  5. Add as many details as you want*, or leave the face that simple.
  6. Add a neck to your doll.  (Generally, I roll a piece of clay and smoosh it onto the base of the head.)
  7. Push something round-ish through the neck sideways, to create a hole big enough for a piece of wire.  (I’ve used round toothpicks to make this opening, or a piece of spaghetti, or an orange stick, or a big yarn needle.)  That hole will enable you to attach the head to a wire armature/body, or sew the doll’s head into a stuffed cloth body.
  8. Bake the head according to Fimo (or other clay) directions.

*If you’re going to add beads or jewels or something else as eyes or other decoration, create a gentle indentation for each of them, but don’t add them until after you bake the head.  Otherwise, the beads might melt, crack or even explode.


With an existing doll** or a simple design concept, and some use-at-home clay such as Sculpey or Fimo, you can make molds for doll’s heads and faces.

Then, you can use those molds to make doll heads or doll masks, also from home-baked (or air dried) clay.

**WARNING: Do not use a modern, copyrighted doll, particularly if you’re planning to sell or even give away the dolls you create.  Though I can’t advise you about copying the doll’s face for your personal use, it absolutely cannot be copied to make dolls you’ll sell.

Ambermoggie — doll artist interview — part two

Leather artling by Sukie, aka Ambermoggie
Leather Artling by Ambermoggie

This is the second page of a two-part interview with British dollmaker Ambermoggie.

Q. If you were stranded on a deserted island and could take just a few supplies with you, what would you need to make dolls?

A. If I were stranded on an island the items I’d need would be wool, wire, a needle and cotton and paint. I could make my own felt and the wool would also make the dolls hair. With paint I could make any colour and by thinning it down dye the fibres. I’d hate to not have a doll in progress… it doesn’t feel right.

Q. What’s your best advice for someone who’s just beginning as a dollmaker?

A. For anyone starting out I would say: Just play and let your mind lead you to your kind of doll. There are no right and wrong ways to make dolls; there are only people’s interpretation of the ideas within. I’d just go for it.

If after that you want to take classes that’s good, but don’t feel that is the only way to learn. It isn’t. I’ve never been able to take any classes in any of the arts I do but it doesn’t stop me having a go.

Q. Do you have a special way of displaying dolls that you keep, or your own collection of dolls?

A. I display my dolls that I keep on a fairy tree .It has tiny christmas lights on and the dolls. These change quite often as I tend to give most of them away.

For me the joy is in making them and then the pleasure people get from receiving them, They seem to bring something to people and that for me is the best reason to make them.

The ones that I most remember from selling were made for auctions to raise money for 9/11. People gave most generously and I received some lovely emails saying how they loved the dolls. I like the idea that my dolls are in many private collections around the world for one reason – they are loved. Not bad for someone who, up to a few years ago, was too scared to make anything.

Q. Do all of your dolls have names when you make them? If so, does the name “come to you” or do you think it up deliberately?

A. I don’t name them usually if they are going to other people; I leave that to them. I just think of them as a representation of the element they embody . I have named some of the figures that I’ve kept, from characters in books.

For example, I have one with feathers and gems who is my idea of Margaret Pye (Magpie) in the Charles de Lint Some Place to Be Flying. His work has influenced me the most. I see characters I want to make in all his books. Charles and Maryann have quite a collection of my figures and also commisioned one for a friend of theirs several years ago.

Q. Your art is always breathtakingly beautiful. Where do you plan to go with your dolls and figures in the future?

A. I look now at the first doll I made. She is sitting on my desk as we speak with her brush in hand, ready to create. The ones I make today resemble her but yet are different and that is what I’d like to continue doing: Moving ever on in different directions from this beginning.

I’m currently exploring pixie feet, faces and hands, and that is fun.

I’m also enjoying getting back to writing stories. I’ve had quite a few dolls and other items in magazines and I’d like to do more of that.

I’d also enjoy teaching some more. I did a workshop last summer at a camp we were at. There were 30 people there from around 4 years of age to 80, both male and female. It was a shock when I saw how many were waiting for the class, but we had great fun. Everyone made a doll and each one was different. It was so much fun to see how they all did.

Q. Is dollmaking an evolutionary process for you, and–if so–where do you see your dolls and figures going, in the future? Were there significant discoveries ∓ turning points for you, along the path?

A. The most significant stepping stones for me and my art were: Firstly, I could make something that reflected what I could see. Secondly, that following your heart is the most important tool in making dolls. Thirdly, that it doesn’t matter that I can’t cut a straight line or turn tiny fingers out of fabric with these stiff and clumsy fingers of mine. Finally, that I make my dolls and my art for me. That other people love them is a bonus… but not the reason to do it.

Ambermoggie – doll artist interview – part one

Aisling’s notes: Sukie–also known as Ambermoggie–has been a friend of mine for several years, and I’ve admired her dolls and figures for even longer. I was delighted when she agreed to an interview, because I know how busy she is. One of these days, I hope to visit her studio in England.

One of Ambermoggie’s Artlings

Q. Your dolls are wonderful! How would you describe what you do as a dollmaker?

A. I make elemental figures and goddess dolls primarily. However I’m always trying new ideas because it stops me getting bored.

Q. How did you get started as a dollmaker?

A. I’ve been making dolls for around 10 years, ever since my husband encouraged my “inner child” within to come out and play.

In my past, I had never been allowed to make things. So, it took me a long while to work up the courage to show the items I made to anyone.

Artling – Air, by Ambermoggie

Then, my husband purchased a computer for me to take my mind off my health problems.

While browsing the Internet, I found forums on different crafts. I had never heard of rubberstamping until this. I asked questions and became interested in the idea of papercrafts, and I started to make rubberstamped cards and gifts. From rubberstamping, I went on to mixed media collages and embroideries, followed by freeform beading.

One dark winters unday I was reading Somerset Studio and saw the call for artwork and a story. I started to write a story and part way through had to stop and go ask my husband “How will I make this doll I want to make?” Between us we figured it out and my first elemental was born along with a story. It went to the magazine–and unfortunately wasn’t printed–but that set me off on my elemental journey.

Valentine Artling, by Ambermoggie (Sukie)

Q. What do you like best about being a dollmaker?

A. My favourite aspect of making them is waiting to see what they want to be. I can never make 2 alike and I never know which element I’m making until I start.

Q. Describe the creative process, when you’re making your dolls and figures.

A. I make my framework and then the doll decides what colour it is. I like the spontaneity of this… It’s an adventure! I do get ideas for other dolls and try to journal them. I then go back to them days or even weeks later, and see what I’ve written and what suggests itself.

I am not very good at drawing so I draw word pictures of what something will look like.

I also get a lot of ideas for stories and art as I am going to sleep. I used to find it hard to sit up and write them down. However my lovely husband gave me a dictaphone for Christmas which is ideal for those sudden inspirations at bedtime.

Free doll patterns

These are free patterns for personal use. If you would like to feature them on your own website, you MUST include my copyright with the patterns. (In other words, be considerate. Please don’t remove my copyright and claim you created the patterns, yourself.)

Also, these were designed to print on 8.5″ x 11″ paper. They’re such old graphics, they may not be as sharp as I’d like. (I plan to replace them in 2018 with crisp, full-size, printable images at 300 dpi.)

If you’d like to reproduce these patterns for a class or workshop, that’s fine as long as the copyright remains on them, and you don’t charge anything extra for the patterns.

These patterns moved here from my (former) Wild Art Dolls website. If any links don’t seem to work, let me know in a comment, below. Thanks!

Here are the patterns & links:

belle de lautrec and tallulah free doll patternsBelle de Lautrec and her zany sister, Tallulah Lautrec were created for a swap/round robin at the Yahoo group, Doll Journals.

The patterns and instructions are in PDF format.

You will need: Belle pattern pieces or the pattern for her sister, Tallulah.

Instructions for creating Belle and her clothing (5 pages).

Please read Belle de Lautrec and Tallulah – important reading, before you begin.

More free doll patterns

Each of the next two patterns open in a new window. Neither of them have sewing instructions, yet. Right-click on the link to save the pattern to your hard drive, for use later, or click the link and print from the screen.

Dangerous Women – a free, online doll pattern Print it from your screen, and/or enlarge the pattern so the “one inch” line really is one inch. The doll in this website header, above, is made from this pattern, and I added optional wings.

Margaret Mary Fitzcalory-Smythe – a free, online doll pattern with no directions yet.

She is a VERY skinny doll.  That was intentional.  I thought of her as a cautionary tale for those who willingly count calories to excess, and make themselves miserable in the process.

It was a time in my life when I was very skinny (it’s a metabolism thing and it runs in my family), and people asked me how I did it.  I wondered what planet they were on, because I was doing my best to gain weight.

Some people have complained about how skinny the doll’s appendages are.  Admittedly, they can be difficult to turn.  So,  you may want to enlarge her – or at least her arms & legs – by about 20% to make her more “average” sized.


Paper doll faces, from my zany dolls in Art Doll Quarterly.
(You can adapt these as iron-on faces for cloth dolls, too.)

Stefania Morgante – doll artist – interview

This is a 2005 interview with Italian doll artist Stefania Morgante. This is a very informative interview, and you may want to print it out to read offline.

Q. What kinds of dolls do you make?

A. Italian…? I don’t know; Italians tell me that I make American dolls and the Americans say that I create Italian-style dolls. I like to think that my dolls are very international.

Mostly, I like to create unusual effects with materials, especially papier-mache. For example, my Pinocchio figure isn’t really made of wood; he’s papier-mache. I’ve also developed a porcelain effect with papier-maché.

And, I love materials of all kinds. They spark my imagination. I love weldments in copper, I love essential oils and terracotta, spices, leaves, beads, stones, bells, and… anything that piques my curiosity!

Last but not least, I love my dolls to have a “lack of perfection.” You will never see symmetry in my dolls.

For example, see my cloth bears. One of my recent teddy bears, Ichnusa, won First Prize (Undressed Bears category) in the 2004 Italian Festival of Teddy Bears.

Q. How did you become a dollmaker? How long have you been making dolls and figures?

A. I have been creating dolls since I was a child, and I have been collecting them for years, too. I think that I inherited my mother’s passion for creating things. She specialized in dresses made with little pieces of fabric that no one would ever have thought to use.

As I grew up, I used to paint, create sculpture and, when I wasn’t studying or reading… Well, I followed my mother’s example and kept creating.

I went online about five years ago and discovered the international world of dollmakers. I met many people, and soon my American friends encouraged me to open my own dollmaking workshop. That has become Soon I will have dolls patterns, dollmaking kits, and cross stitch patterns.

Also, I hope to offer art lessons, including instruction in painting. And, I have an idea for a challenge to connect the USA and Italy! 2005 will be a very exciting year for me.

Q. Did you study art in school?

A. Yes. I studied at the Art High School in Lecce. Lecce is in the little region of Puglia, and it is best known as southern Italy’s most important Baroque city. Lecce’s craftsmen are respected worldwide for their papier-mache art, especially for religious sculptures.

Then, I attended the DAMS University in Bologna (Art, Music and Performance) where I got my degree in Shapes Theory. My thesis was based on a Sylvia Plath poem that was, in turn, inspired by a de Chirico painting.

Q. When you make dolls, do your ideas arrive all at once? Or, do you have a few ideas, and then later think of some more, and–eventually–this becomes a doll?

A. I plan a doll as I would plan a sculpture. It’s the same approach. I start with something that I saw while traveling, a note, a sketch, or perhaps a fabric in a shop. Sometimes the idea comes from a dream and I’ll sit down to work on it that same day.

At other times, I think-think-think and then–when I see a decoration or a fabric–actually start work after some days or months.

I think that a doll, like any artwork, emerges from layers of ideas, and from things already seen: from books read, vegetables of flowers in my garden, or something that I noticed on TV.

Q. What inspires you as an artist, and as a dollmaker? Do you ever run out of ideas?

A. My country inspires me. I get inspired by the remarkable artistic tradition we have in Italy. For example, this was the birthplace of the Renaissance, and Italy has always been one of the world’s great artistic centers.

The food, the music (Rossini, Verdi, Paganini and so on…), and our characteristic creative spirit inspire me: colors and shapes of our small region, our rich history, culture, and Italy’s legendary wine and food. And, I love our continuous capacity to renew arts and craft. I attended the Bologna university, Europe’s oldest continuing institution of higher learning, and possibly the world’s oldest university!

And finally, my parents are native Italians, one from the south and the other from the north, so I think I can say that I’m completely Italian. And so, my country inspires me.

I won’t make the same doll over and over, just as I don’t want every day to be the same. I love to make things–dolls, sweaters, patterns, kits, angels, witches, amulets, talismans, and thousands of others things–but each one is different!

Q. Tell us how you make each doll unique.

A. Do you need cuddles? Do you want a new atmosphere in your house? In your life? Do you want an angel to protect you? Do you want a special gift for your wife? These are some of the requests that I get as a dollmaker, and I love this!

In Christmas 2003, I was asked to make a witch doll for a girl passing through an awful period. So I wrote a “magic formula rigamarole” and I tied it to the doll’s arm. The girl has been so happy, the lady who ordered it bought a second one for herself! I think to dream is indispensable for everyone!

Q. How do you name your dolls?

A. Well… sometimes my dolls haven’t a name until they are finished. And, sometimes the name is in my mind when I start, but it doesn’t suit the doll, after all. I love the sound of some words like “Camilla,” “Desiderio”(one of my angels is called Desire), and “Coriandolo” (coriander). These words inspire figures.

For example, right now I’m creating a cross stitch pattern of a colorful cat, and I don’t know why, but it’s called “the dreams of Theo”.

And, occasionally I give dolls to my friends’ children, and they have changed the dolls’ names. For each child, the doll seems to have another name. I don’t know why, but this always delights me.

Q. If someone wants to become a professional dollmaker, what advice would you give them?

A. Consistency, perseverance, discipline, and a sense of your own artistic identity. Learn from every person you meet. Remember, communication is essential! Keep these in mind, and good fortune will result.