My first stamps were handmade, one by one, and sent with my zines of that era. I hand-carved a border that looked like a perforated stamp edge, and stamped it repeatedly to create the ‘frame’ of each stamp. Then, I put art in the middle.
At present, I don’t have copies of any of them. (I may find some as I go through old boxes of art supplies, etc., but that’s unlikely.)
But hey, if those mailings brought people joy, they served their purpose.
This webpage features many of my early digitally-created artistamps. Many of them are clickable, opening printable images… of varying quality. (When I saved my first digital files, I didn’t always understand things like resolution. So, some of them look and/or print better than others.)
Sunrise Series
This block of stamps features some of my sunrise paintings.
Tapestry Parade Series
This block of six stamps includes photos of Disney’s EPCOT parade, Tapestry. The puppeteers include Disney cast member Jeremy Pace (in the lower left stamp). The link opens a PDF version of the stamps.
Disney World Tribute Series
This series features photos from Disney World. This set is not available in printable size.
Ballynafae Mardi Gras – 2001 Series
Also not available in printable size, this series includes photos from the popular tourist attraction, ‘South of the Border’.
Kilmallock Ireland Series
Kilmallock is south of Limerick, Ireland, and it’s one of my favorite towns in Ireland. Many of my ancestors came from this area.
The theme for the Art Day 2005 mail art call was “Art in the Streets.” These 18 entries were diverse and fabulous.
In 2005, Art Day was under different management than in the years that followed. So, this was the only year I was the organizer for that event’s mailart celebration.
I received the art in Houston, Texas, and scanned. Then, I forwarded it to Los Angeles, Calfornia, and from there it was placed on public display as part of a large Art Day celebration in nearby Glendale.
The scans include postcards, envelopes, and any enclosures in them. If the return address was clearly part of the art, it is displayed. If I wasn’t certain, I omitted it or blurred it.
THE ARTISTS: The participants were, alphabetically by last name: Vycki Angel (Pinson, AL), Julia Cardia (Vinhedo, Brazil), Sylvia Cunha (Campinos, Brasil), Michel Della Vedova (Limoges, France) Dante Erbolato Neto (Sao Paolo, Brazil), Sandoval LeFebure (Austin, TX), Suzlee Ibrahim (Shah Alam, Malaysia), Joe Messiah (Portland, OR), George Rivera (Denver, CO), Ashley Schick (Clearwater, FL), Shmuel (Brattleboro, VT), Pablo Wright (Cincinnati, OH),
I start each day with an art journaling collage, like I used to do “morning pages.”
As you can see from the collage at right, I’ve been doing this—off and on—since 2002.
I allow myself half an hour for the initial collage process.
Then, later in the day, I may go back several times – adding more things – until I’m pleased with it.
But it all starts with the determination that there will be a collage when I’m finished, whether it’s good art or not!
Art journal page preparations
Usually, I coat each page of my art journal with gesso. Then, I know the pages are strong enough to support my collages, even heavy ones here and there.
I’ll leave a page or two for writing, then gesso two or three pages so they’re prepared for collage art, and so on.
That forces me to include lots of art in my journal. It’s still a diary, but it’s more than that.
Gesso for art journaling
For my art journaling, I use any cheap gesso from the fine art supplies section of Michael’s.
Gesso makes the paper stronger, so it doesn’t suck up the glue or paint so much, and it has “tooth” to grab whatever I apply to it in layers.
I buy primarily white gesso.
Yes, you can buy it in colors, but if you start with white, you can add color to it (in small batches) with watercolors (including Dr. Ph. Martins), acrylics, even food coloring or unsweetened Kool-Aid if you like! But I’m usually happy working with white.
Then, the collage images
I store a wide range of images in folders, kept in a heavy cardboard portfolio, to use when I want to do a collage.
I also keep a stack of magazines & newspapers on hand for my collage work.
And I go through them and grab whatever images, words, and phrases strike my fancy at that very moment.
If they connect somehow, great.
If they’re completely unrelated, that’s okay, too. It usually makes sense to me when I put it all together, in the context of my thoughts at the time.
I love layers in my work, so I’m big on using colored tissue paper.
Adhesives hold it all together.
Years ago, in my Yahoo!Groups community, Artists Journals (aka “AJ”), I recommended using Golden Gel Medium (soft/gloss). However, it often made the paper buckle.
Now, I’m using Yes! Paste. I apply it with a sponge brush or a cotton swab, depending on what I’m applying to the page in my art journal. It rarely buckles or puckers. I absolutely love this product!]
While the page dries, I’ll place a piece of waxed paper over it so I can turn the page and either write or do another collage. If it’s facing another damp-and-drying page, I’ll keep waxed paper between the pages for a week or two until the adhesive is fully cured.
Adding embellishments to your art journal
Don’t limit yourself to paper and the occasional paint or colored accent.
I highlight some of my work with different types of leafing, such as gold, copper, etc., and adhere it with the same medium or paste.
For some of my work, I think of other ways to attach stuff.
For example, on a “hurting” day, a bandaid may hold an image in place.
On other days, I may use grommets, paper clips, straight pins, safety pins, etc.
Think beyond tradition and rules!
I never fret because an item prevents the journal from fully closing, nice and flat.
Frankly, by the time I get done with lots of pages, the whole thing is so layered (and sometimes a bit buckled), it hasn’t a chance of closing flat, ever again!
Cover additions are a nice touch
Often, I sew a button to the front cover of the journal, and a piece of string (I like hemp twine) or ribbon attached with a grommet to the back cover, so I can tie the journal closed when I carry it around or shelve it.
But you may think of other ways to secure your art journal. Think of it as yet more mixed-media art, not just “What’s going to hold this journal closed, in my purse or backpack.”
Do. Don’t plan!
These art journaling collages are exciting to me.
I never know how they’ll turn out until I start putting the random bits of paper together and realize the internal message.
It’s sort of like bringing what’s deep inside me, forward.
From time to time, I’ll display my new (real) art journaling and mixed-media art pages here as I create them.
Sure, mimic others while you’re learning if you need to.
But, as soon as possible, follow your “what if…?” whims.
Experiment, and then tweak if necessary.
Soon, you’ll find your own art journaling style. Of course, it will evolve over time, as we do as individuals.
In many ways, I feel as if art journaling reveals who we really are.
That’s important as self-expression and as a legacy for the future.
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