The theme for the Art Day 2005 mail art call was “Art in the Streets.” These 18 entries were diverse and fabulous.
In 2005, Art Day was under different management than in the years that followed. So, this was the only year I was the organizer for that event’s mailart celebration.
I received the art in Houston, Texas, and scanned. Then, I forwarded it to Los Angeles, Calfornia, and from there it was placed on public display as part of a large Art Day celebration in nearby Glendale.
The scans include postcards, envelopes, and any enclosures in them. If the return address was clearly part of the art, it is displayed. If I wasn’t certain, I omitted it or blurred it.
THE ARTISTS: The participants were, alphabetically by last name: Vycki Angel (Pinson, AL), Julia Cardia (Vinhedo, Brazil), Sylvia Cunha (Campinos, Brasil), Michel Della Vedova (Limoges, France) Dante Erbolato Neto (Sao Paolo, Brazil), Sandoval LeFebure (Austin, TX), Suzlee Ibrahim (Shah Alam, Malaysia), Joe Messiah (Portland, OR), George Rivera (Denver, CO), Ashley Schick (Clearwater, FL), Shmuel (Brattleboro, VT), Pablo Wright (Cincinnati, OH),
As I’m writing this (April 2002), I’m starting each day with an art journaling collage, the same as I used to do morning pages.
I allow myself a half an hour for the initial collage process.
Then, later in the day, I may go back several times – adding more things – until I’m pleased with it.
But it all starts with the determination that, whether it’s good art or not, there will be a collage when I’m finished!
Art journal page preparations
Usually, I coat each page with gesso throughout my art journal. Then I know the pages are strong enough to support my collages, even heavy ones here & there.
I’ll leave page or two for writing, then gesso two or three pages so they’re prepared for collage art. And so on.
That forces me to include lots of art in my journal. It’s still a diary, but it’s more than that, too.
In fact, my current art journal is fully gesso’d pages, because this one will be entirely art.
Gesso for art journaling
For my art journaling, I use any gesso that’s cheap, from the fine art supplies section of Michael’s.
Gesso makes the paper stronger, so it doesn’t suck up the glue or paint so much, and it has “tooth” to grab whatever I apply to it in layers.
I buy mostly white gesso.
Yes, you can buy it in colors, but if you start with white, you can add color to it (in small batches) with watercolors (including Dr. Ph. Martins), acrylics, even food coloring or unsweetened KoolAid if you like! But I’m happy working with white, usually.
Then, the collage images
I store a wide range of images in folders, kept in a heavy cardboard portfolio, to use when I want to do a collage.
I also keep a stack of magazines & newspapers on hand for my collage work.
And I go through them and grab whatever images, words, and phrases strike my fancy at that very moment.
If they connect somehow, great.
If they’re completely disrelated, that’s okay too. It usually makes sense to me when I put it all together, in the context of my thoughts at the time.
I love layers in my work. For this reason, I’m very big on using colored tissue paper.
Adhesives hold it all together
From my 2002 post in my Yahoo!Groups community, Artists Journals (aka “AJ”):
I use Golden Gel Medium (soft/gloss) for the adhesive, and when the tissue paper is saturated with the gel medium, it remains translucent after it dries.
However, the gel medium will make the paper buckle sometimes. I like that, because I’m very process-oriented. I’m not interested in a collage that looks pre-printed. The buckling and extra glops of gel medium work for me. But I know that not everyone likes the buckled-paper look.
I apply the gel with a sponge brush. Sometimes, I forget to rinse them. Though I’m much better at remembering now – due to environmental concerns – I stock up on inexpensive sponge brushes regularly.
[Important 2021 update: Now, I’m using Yes! paste. I apply it with a sponge brush or a cotton swab, depending on what I’m applying to the page in my art journal. It rarely buckles or puckers. I absolutely love this product!]
While the page dries, I’ll place a piece of waxed paper over it so I can turn the page and either write or do another collage. If it’s facing another damp-and-drying page, I’ll keep waxed paper between the pages for a week or two until the adhesive is fully cured.
Adding embellishments to your art journal
Don’t limit yourself to paper and the occasional paint or colored accent.
I highlight some of my work with different types of leafing… gold, copper, etc. I adhere it with the same medium or paste.
For some of my work, I think of other ways to attach stuff.
For example, on a “hurting” day, a bandaid may hold an image in place.
On other days, I may use grommets, paper clips, straight pins, safety pins, and so on.
Think beyond tradition and rules!
I never fret because an item prevents the journal from fully closing, nice and flat.
Frankly, by the time I get done with lots of pages, the whole thing is so layered (and sometimes a bit buckled), it hasn’t a chance of closing flat, ever again!
Cover additions are a nice touch
Often, I sew a button to the front cover of the journal, and a piece of string (I like hemp twine) or ribbon attached with a grommet to the back cover, so I can tie the journal closed when I carry it around or shelve it.
But, you may think of other ways to secure your art journal. Think of it as yet more mixed-media art, not just “what’s going to hold this journal closed, in my purse or backpack.”
Do. Don’t plan!
These art journaling collages are exciting to me.
I never know how they’ll turn out until I start putting the random bits of paper together and realize what the internal message is. It’s sort of like bringing what’s deep inside me, forward.
From time to time, I’ll display my new (real) art journaling and mixed media art pages here, as I create them.
Sure, mimic others while you’re learning, if you need to.
But, as soon as you can, start following your “what if…?” whims.
Experiment, and then tweak if necessary.
Soon, you’ll find your own art journaling style. And – of course – it will evolve over time, as we do as individual.
In many ways, I feel as if art journaling reveals who we really are.
That’s important, as self-expression and as a legacy for the future.
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