Tag: cloth dolls

Last year, I began making sock dolls. I was inspired by the book Stray Sock Sewing.

Here’s how I made my sock dolls for the Wild Art Dolls swap in July 2010.

Supplies

You will need one sock, some batting or stuffing, Fray-Check, and your basic sewing supplies. (Needle, thread, scissors, and a thimble if you use one.) You’ll also want something for eyes, nose, and other embellishments. At the very least, that will be embroidery thread, yarn, or a contrasting color of regular thread.

Directions

First, I started with a large, children’s sock. I’d already washed it in the laundry so, if it was going to shrink, it had already done so. (If the sock dolly needs a bath later, we don’t have to worry about him or her shrinking, puckering, or losing color.)

You should do the same.

Then, stretch it out so the heel is exactly centered, horizontally. Then, the finished doll won’t look too off-center.

Next, you’ll cut off the toe part of the sock. You’ll be removing somewhere between 1/2 and 1/3 of the sock above the heel. That will vary with the size of the sock and your plans for the doll.

If you remove a smaller amount, the doll will have longer ears and shorter arms. If you remove more, there will be shorter ears and longer arms.

Remember: If something goes terribly wrong, you still have another sock. You can use that to supplement the pieces you cut from this sock, or you can start all over again.

The next step is to cut the cuff of the sock, perpendicular to the cuff. What you’re doing is cutting the seam area for the legs. For shorter legs, leave more uncut. For long legs, cut closer to the heel.

Above all — unless you have an octopus kind of doll in mind — don’t cut all the way up to the heel.

The next step is to cut a notch where the ears will extend. Once again, the deeper the cut, the longer the ears. Avoid cutting all the way down to the heel, unless you want a really deranged-looking doll with a strange, short face.

Finally, you’re going to use the toe part that you cut off at the beginning. Lay it flat and snip in into two equal parts. These will be the arms.

Now, it’s time to seal the edges of the sock so they don’t unravel as you’re working. You’ll use a product called Fray-Check for that. You can find it in many sewing supply stores, or order it from Amazon.com. If you’re making a lot of sock dolls (like for holiday gifts), pick up a couple of bottles of Fray-Check. You will go through it pretty quickly. (Plus that, it can dry out in the bottle, after a few months.)

Apply a moderate amount of Fray Check to every raw edge on the doll. Be especially generous where there are angles, indicated by the blue arrows. Those points will get the most stress as the doll is being finished.

Let the Fray-Check dry completely. This can take an hour or two. Don’t sew while the fabric is damp, or it can stretch and bubble.

Next, sew the top of the head. That’s where you cut the rectangle out, and it’s on the right side of the sock in the photo above.

Sometimes I sew along the wrong side of the fabric, and then turn the doll right-side out. At other times, I sew the whole thing from the outside, using an overcast-type stitch.

Then, turn the doll right-side out, so you can start stuffing it.

When you’re stuffing the ears, it’s a good idea to make them fairly solid. I use a chopstick or a stuffing tool for this purpose.

If the ears are really long, you may want to insert a wire after the ears are stuffed. You can use a pipe cleaner or any firm but flexible wire for this. Then, you can bend the ears in zany angles.

Now, you’re ready to sew the legs, stuff them, and then sew the edges of the feet.

Sew the leg seams, but not the feet. Stuff the legs. (A chopstick, smooth end of a pencil, or stuffing tool is ideal.)

Finally, when the doll is how you want it to look, stitch along the bottom edges of the feet.

At this point, I like to add the beads or buttons for eyes, and a nose. I usually use embroidery floss for the nose.

The doll is beginning to have character. I think that’s important, before attaching the arms. Arms can make a remarkable difference in the attitude of the doll.

For the arms, you’ll sew the seams on the toe pieces you cut at the beginning.

Sew just the longest side of each one and stuff it. Depending on how hard it is to hold the shoulder part together, you may want to baste it closed after the arms are fully stuffed.

If they’re only loosely stuffed, you can skip the basting step and attach the arms directly to the doll.

After that, you can add wings, hair, a pom-pom tail, or any other embellishments you like.

Additional examples

Here are a couple of other sock dolls I’ve made. They were propped up in Rubbermaid sandwich containers, so you can see them better. That also gives you an idea of the scale of them.

Here’s the same doll in profile. He has a yarn pom-pom tail.

Another doll, shown below, is made from an adult’s pink sock. The top of the head looks like the doll is wearing a cap. I made the cap from a second, different pink sock. I let the lower edges roll up, like the brim of a knit cap.

I also embroidered a heart on her, and gave her faerie wings.

Once you get used to making these dolls, you’ll find ways to mix n’ match pieces from different socks for different effects.

I can usually make one doll in an evening (about three or four hours), while I’m watching TV or talking with my family.

More Sock Doll Tips

1. 

   Use children’s socks for the best colors and patterns. For larger, colorful socks, I find good patterns & prices at places like TJ Maxx, especially in their sale sections. If you’re interested in tiny socks for the dolls or to add as ears, arms, or a tail, check the $1 section of Michael’s Arts & Crafts. Some of their Mary Engelbreit-type socks can be wonderful for sock dolls!

2. Use Fray-Check by Dritz. Amazon carries it, or you can usually find it at a sewing supply store like JoAnn Fabric. I seal all edges before I sew them. (Usually, it takes a couple of hours for the Fray-Check to dry thoroughly. If you sew the edges while the Fray-Check is damp, the fabric can stretch too much.)
3. Always use good batting or stuffing. Even more than other cloth dolls, the squishy nature of sock dolls means you can’t afford lumps or flat spots. (Among my favorites: Soft-Touch by Fairfield.)
4. If your doll might get soiled easily, use any waterproofing spray on stain-resisting spray, after you complete the sewing but before you add any beads or buttons.
5. If you’re making a doll that you’ll turn inside-out, after sewing, always try to make the final seam (the one you’ll sew on the outside) where the doll sits down. That way, the seam isn’t so noticeable.
6. If your doll should sit and not fall over easily, make a small bean bag that will fit inside the “rear end” of the doll. Fill that bean bag with something heavy. I use anything like poly-pellets, or well-rinsed gravel intended for fish tanks, or even unscented kitty litter. (The latter, being clay, can deteriorate and turn to messy dust if handled too often.)
7. If your dolls are small enough, check the dollhouse furnishings aisle (at Michael’s, etc.) for accessories you can use with (or glue to) your sock dolls.

A sock doll swap is an exchange of dolls made from socks.

In this 2010 Wild Art Dolls exchange, the dolls had to be made from socks and three of them had to fit inside a flat-rate Priority Mail envelope.

Three of us participated. Here are some of the dolls:

My dolls were almost identical. (The fluffy orange bits at his right shoulder are ends of the yarn I used to give him a pom-pom tail.)

My doll design started with ideas I gleaned from the book, Stray Sock Sewing. (As I’m writing this, you can snag a good, used copy for under $3.)

I love making dolls from socks!

Historical notes

Of course, the classic sock doll is probably a sock monkey, invented around 1932. I think many people have happy memories of sock monkeys from childhood.

A quick survey of Amazon will show lots of different kinds of sock monkeys, including a Beanie Baby sock monkey, and books about making dolls (including sock monkeys) from socks.

The first rule of cloth doll making is: BREAK THE RULES!

Nobody said the skin fabric has to be pink. Or muslin. Or brown. Or whatever.

Your doll’s skin can be purple. Or green. Or paisley. Or white lace over silver lame that you’ve fused to muslin.

Nobody said that your dolls’ legs and arms and faces all have to be made with the same fabric.

If your art doll is for show more than for actually playing with, the skin can be something other than fabric. Like twisty paper. Or layers of raffia that you’ve fused to muslin so the “skin” holds together and the muslin doesn’t show. Or a paper grocery bag. Or autumn leaves. Or even dollar bills, fused to muslin to make a big enough piece of “fabric.”

Nobody said her (or his) clothing has to be tasteful, or stereotypically shocking with black lace and a boa, either.

Of course, sometimes you MUST make a good trashy doll, just for the sake of having her around. Or an Elvis impersonator doll, for the male counterpart. (Or, in my case, Voodoo doll Barbie.)

Nobody said that your doll has to wear clothing made of fabric, either. Feathers might work. Or foil. Or maybe you’ll melt some 3.5″ computer disks (ventilate very well if you heat them) and give her a high-tech breastplate.

When you’re making a cloth or mixed media doll, you have many, many options.

Don’t be limited by rules in your head. And don’t be limited by rules from famous dollmakers or even your teacher.

Cloth doll goddess Elinor Peace Bailey once made an amazingly insipid doll, just to break her own anti-rules.

The point is, when you plan your doll, think big. Think original. Break the rules. Be outrageous.

But mostly, be your most creative self.

Not sure how to choose the right cloth doll stuffing?

Here’s the punch line: Buy the best doll stuffing (ex: fiberfill, polyfill, batting, cotton wool) that you can afford.

The cheap stuff may look the same in the bag. It may even feel the same if you squeeze it.

You may think, “I’ll bet this is a no-name brand made by the expensive brand, and it’s really the same stuff (so to speak), for half the price.”

You’d be wrong.

In terms of lumps in your doll (or your teddy bear), and how the batting holds up over time, there is only one way to go: Buy the best doll stuffing you can afford. You won’t regret it.

I like Fairfield and Mountain Mist stuffing and batting for my own dolls. I buy their top-of-the-line products, and I’m always pleased with the results.

Right now, I lean towards Fairfield for doll stuffing, but that’s a matter of personal taste.  See what’s available in your local shops. As long as you’re buying a very good brand, and avoid their “bargain stuffing” (if they have one), try different kinds and see which suits your dollmaking style.

And…

While we’re talking about cloth doll stuffing, remember to stuff your art dolls so the filling is tightly wedged into the doll. If it’s too loose, the doll will look lumpy after she’s been picked up, hugged, and otherwise played with for a few months.

Doll stuffing tools

For the best results, collect a variety of doll stuffing tools. One great tool is called a Stuff-It. It used to be sold by Dritz, but it’s hard to find now. It can be used to stuff teensy fingers, as well as turn nice corners.

If you can’t find that — and if you’re stuffing lots of tiny corners, fingers, etc. — you’ll fall in love with the Clover Stuffing Tool.  It’s not as generally practical as the Dritz Stuff-It tool, but for detailed stuffing, you’ll want to own the Clover tool.  It’s also ideal for turning itsy-bitsy cloth fingers.

Your dollmaking kit will also include a chopstick or two. The lacquered kind with the fine point on one end and a round or square end on the other, is amazingly handy. You may want to sand the lacquer with very fine sandpaper, so the lacquer doesn’t slip through the stuffing too easily.

If you do a lot of dollmaking, go to any arts & crafts store and select a few plastic tools intended for shaping clay.  You’ll be amazed at how handy they are, for turning and stuffing dolls.  I bought this set and I’ve used them for all kinds of arts & crafts projects… none of which involved clay.

The idea is to have tools that are pointy, but not too pointy for the job. If you try to use a pencil point, it invariably slips through the stuffing, leaving a lead-black mark that shows through the fabric. Ick. Getting pencil marks off fabric… well, it’s not easy.

Likewise, trying to stuff with scissors results in unexpected holes when the scissors slip, despite your best intentions and efforts at control.  (Yes, I cried when it happened.)

How much doll stuffing to buy

Buy great doll stuffing. You’ll need at least two or three times as much as you think, looking at the bag. It will compress to about one-quarter its original size. Or more.

I usually buy a one-pound bag for a normal, happy teddy bear.  That same bag will fill at least half a dozen sock dolls, and several medium-sized dolls.

Never, never, NEVER buy cheap doll stuffing. It’s not worth it.

Even from the start, the doll just won’t look quite “right.” I don’t know why, as the stuffing’s weaknesses usually doesn’t show up right away. But I learned quickly; cloth dolls (and teddy bears, and other stuffed figures) don’t look as good if the doll stuffing isn’t top quality.

If you have to cut corners, select a budget fabric rather than purchase cheap stuffing.  (See my article about preshrinking fabric for fabric advice.)

Buy the best cloth doll stuffing, and your dolls will thank you for it.

Here’s one that I recommend:

Mountain Mist Premium Fiberloft

I’m using this in my current cloth dolls and figures.  It’s easy to handle, holds its loft well, and — with a Stuff-It tool — it wedges nicely into tiny corners.

It seems to wash well, so I also use this for a trapunto effect (stuffing details separately, through concealed openings in the fabric) in my other fabric art.

Because this stuffing holds up well and remains fluffy, it’s a good choice for large dolls and stuffed animals that a child will use as a pillow.

You can find it at most fabric stores, or order it through Amazon.com. (That link takes you to the one-pound size that I buy.)

Articles at others’ websites:

Tips and Tools for Creating Soft-Sculptured Dolls by Miriam Gourley.

Have a question or a helpful tip?  Leave your thoughts about cloth doll stuffing in a comment, below.

Should you preshrink fabrics (or prewash them) before making a cloth doll?

Yes… and no.  It depends upon what’s important to you.

Why not to prewash or preshrink fabrics

Fabrics, especially cottons, never look quite so “fresh” after prewashing.

The sizing* and surface finish wash off, so the fabric doesn’t look as smooth. In most cases, you’ll never wash the doll in a machine anyway.  Why worry about shrinkage?

Also, not preshrinking fabric saves you considerable time since you won’t be ironing it.

You can rush home with your new fabrics, and head straight to the cutting table. That’s ideal if you have amazingly creative visions in your head, and you can’t wait to turn them into a doll or two or three!

Dolls seem to turn out best when the full energy of your brilliant concept is right there, fresh in your mind.

Pausing to do anything mundane, such as washing & drying, can be lethal to that fresh & vital energy.

In other words: You don’t have time to preshrink fabrics.  Just get to work and create that doll!

Yes, the fresh-from-the-store surface treatment may repel inks and paints when you’re adding details (such as the face).  That’s easy to fix.  Add a couple of drops of a surfactant** to your painting water, to break down the resistance. Prewashing is not necessary.

Why you should prewash or preshrink fabrics

When fabrics have been treated with sizing and a surface finish, they often won’t accept paint, pen, and/or felt marker designs as well.  If you’re adding a lot of artwork to the surface of your doll, that’s a problem solved by prewashing.

If the doll has an accident — like when something spills on her — you can wash her (carefully, of course) without worrying about the results. Prewashed fabrics have already shrunk, bled, puckered, and softened as much as they’re likely to.

If you always preshrink fabrics as soon as you bring them home, you can confidently use the same fabric in your wearable art and know that the finished garment can be tossed into the washing machine.

How I preshrink fabrics

First, I trim any loose threads off the fabric. They’re going to fray in the laundry.  Sometimes, those loose thread can wrap the fabric into a tight, wrinkled ball by the time the drying is completed.

If it’s a small and expensive piece of fabric, I may fray-check the cut edges to prevent further unravelling and fraying.

Dritz makes a product, “Fray Check,” for this, and other manufacturers have similar products. It’s a lifesaver, in my opinion.

Before prewashing, I refold the fabric so it is not folded along the same line as it was on the bolt.

If you don’t do that, the original fold line will promptly wear and fade, even in the first washing.  You’ll have to cut around that part of the fabric.

I always wash the fabric by itself, or in the laundry with dark items that will not bleed.

(“Bleeding” colors mean colors that aren’t permanently dyed.  Some of the color will wash out during the first washing, and sometimes during successive laundering. )

For example, my kitchen dishtowels don’t show stains, so they can be washed when I preshrink fabrics.  If I’m not concerned about mixing fabric weights in the laundry, I often wash older blue jeans with my new fabrics, too.

Three things can happen when you preshrink fabrics:

First, there’s the effect of water on the fabric.

Some fabrics pucker, wrinkle, and go limp in water.

The puckering and wrinkling can be steamed out when you iron. The limpness is resolved with a spray sizing or starch, usually added when you iron.

However, if you’re going to paint or draw on the fabric, it’s best to apply the sizing or starch after you paint or draw, so the pigment is well absorbed.

Next, consider the effect of soap and water on the fabric.

The colors may run as you preshrink fabrics. The texture of the fabric may change, too.

Almost anything can happen, particularly if you’ve bought a cotton by an unknown manufacturer, or a mixed-fiber fabric from the markdown bin.

I use cold water the first time I wash a fabric. Some people also add a small amount of vinegar or salt to the water, to set the colors. Or you can use one of those disposable towels that absorb excess (“bleeding”) colors in the washing machine.

Sometimes, texture changes can be remedied with plenty of steam ironing and starch or sizing.

However, some fabrics will never look the same as when they were new, which is why some dollmakers prefer not to prewash.

Finally, there’s the effect of dryer heat. I use the hottest dryer setting and dry the fabric for over an hour, usually tossing in other loads of laundry rather than wasting dryer heat on just one piece of fabric.

(Exposure to dryer heat can be the most important step when you preshrink fabrics.)

In my experience, shrinkage is not eliminated until the fabric has been through two to three hours of dryer heat.

Summary

If you love the fabric just as you bought it, and you don’t plan to wash your cloth doll, ever, there’s no reason to preshrink fabrics.

However, if your doll may be exposed to wear & tear, and stains or dirt are possible, preshrinking can reduce worries.

Fabrics can change color, size and texture in the laundry and dryer.  In some cases, you can restore the texture.  Faded colors and shrinkage usually cannot be reversed.

I preshrink almost all of my fabrics before using them in dolls, but there are exceptions when the doll will be displayed, not worn (as a pin doll) or played with.

* Sizing: Similar to starch, sizing is a fabric treatment that makes the fibers stiffer, crisper, and “fresher” looking. Sizing washes out in the laundry, but you can replace it in the rinse cycle, or with spray-on sizing when you iron.

** Surfactant: A product which breaks the surface tension of water, and helps “cut through” the protective layers sometimes applied to stain-resistant (and other) fabrics.

I use a Shaklee product called Basic H, and place two or three drops in a pint of water when I’m using watercolors on a doll, if the paint beads too much. But, you can do the same thing with a drop of dishwashing liquid. (That is, liquid soap intended for washing dishes by hand.)

Consider every reason to preshrink fabrics (or not to) before deciding.

This is one of a series of pindolls that I’ve made by hand. These “Annie Faeries” sold out within minutes at Artfest 2001.

First, I create my doll collages digitally, using antique photos and illustrations.

When I’m pleased with the design and colors, I print each doll onto iron-on transfer paper.

Next, I apply each doll design to cotton, usually unbleached muslin, raw silk, or a light-colored cotton.

The edges of the fabric are treated with Fray-Chek, a product that prevents the edges from fraying. (You can find it in any fabric shop or sewing supply store.)

Then I sew, quilt, stuff, and bead the doll by hand.

(This is a very relaxing activity, and I often assemble my dolls when I’m traveling by airplane.)

Finally, I add the beaded antennae and a simple pinback, so you can wear the pindoll as jewelry, or attach her to a curtain.

Because these are sewn, quilted, and beaded by hand, not machine, each doll is slightly different, and one-of-a-kind.

These dolls are three inches tall without the antennae, and nearly four inches tall with them.

This design includes the face of Annie Maloney Morey, a wealthy young woman who eloped to America (from County Cork, Ireland) to marry her True Love, a dashing local lad with eyes the color of the Caribbean and the reputation of a rake.

They had six children and lived happily ever after.

My faerie grandmother pindoll is still among my favorites. That’s partly because the doll’s face belongs to my paternal grandmother.

I wanted to create a happy pindoll to remind me of what I liked best about that grandmother. She’d lived to age 80, but that wasn’t long enough.

(click image to see full sized)

This is the second of a series of pindolls that I created by hand.

I printed my original collages on cotton. Then I sewed, quilted, stuffed, and beaded them by hand.  (I did a lot of this work on airplanes, as I flew across the U.S. to teach my “wild art doll” workshops.)

Finally, I added the beaded antennae and a simple pinback, so she could be worn as jewelry, or attached to a curtain.

Because these were sewn, quilted, and beaded by hand, not machine, each doll was slightly different, and one-of-a-kind.

I swapped lots of these dolls, and sold some of them at conferences such as Artfest.  If you’re not sure if you have one in your collection: These dolls are three inches tall without the antennae, and about three and a half inches tall with them.

My original collages, printed on the fabric, were made with antique photos and illustrations.

This one includes the face of Mary Ann Loretta Boyle, whose family was from County Cork, Ireland.

Today, I think of her as a “faerie grandmother,” sort of a fairy godmother, but with chocolate chip cookies.

For another art doll exchange (a swap), I decided to modify my earlier “dangerous women” cloth doll design.

I rarely work from a pattern anyway, so any time I decide to repeat a design, it’s not likely to turn out the same as the original.

The photo above is one of a series of six dolls, created in mid-2000.  Most of them looked alike, though no two were identical. 

The dolls were each about five inches tall, not including the hair. The bodies were made with preshrunk 100% cotton, the hair was “doll hair” wool, only loosely tugged to give it volume. The face was drawn on with waterproof pens, and then ironed on with Stitch Witchery.

The arms and legs were stuffed before being attached to the body. Then, I added a star charm to one hand on each doll. Finally, I sewed on sheer wings (not shown).

Each doll was machine stitched, except for the final seam where she sits down, and that was closed by hand after stuffing.

All six were sent to the swap, and are now in other people’s homes and galleries, making mischief.

The original pattern, created and scanned as a GIF, can be downloaded here. Be sure to enlarge it to scale.

Many years ago, I taught at Artfest.  It was a golden era, and – for the first few years – I had a wonderful time.

At one Artfest, organizer Teesha Moore gave us simple cloth dolls.  I think her grandmother had assembled them.

When I received mine, I promptly embellished her.  Here’s the result.

(I apologize for the size of the image. It’s from around 2001, I think.  All of my online images were very small, because – with dial-up connections, and some people paying by-the-minute for Internet service – load time and file sizes were a big concern.)

My embellishments:

I added rubber stamps, beads, wool hair, antennae with beads, and wired, rubber-stamped, paper “faerie wings.”

I think she’s in storage right now.  When I find her again, I’ll take a better photo and add her to this website.