Why Art?

Art class, photo by erdogan ergun, TurkeyWhy art? Really, why would anyone take the time to create art, unless  he or she is a full-time artist?

The answers are clear to anyone who’s independently created art of any kind.

Even if it’s a scribble or a graphic note in the margin of your class notes, if you’ve ever expressed yourself visually, you’ve created art.

Note that I said independently created art.  That’s important.

If it was a class assignment, or something you had to do, the art process may have been vacant.

For many artists, the art process is where the value is. If the process is drudgery, it’s only mimicking art.

Artist Harley Brown said it well. “Within a second of starting a picture, I’m on top of a mountain which has finally become my reality. So, when I tell people to do a drawing a day, it is not only to learn to observe or perfect skills, it is putting ourselves closer to what we really are and for what we live.”

Art Gallery, photo by brendan gogartyWhat makes art important in our lives is how art makes us feel.

Whether you’re creating the art or admiring it in a gallery or on your drawing pad, art should evoke an emotional reaction. If it doesn’t, the art isn’t necessarily bad, it’s just not resonating with who you are, inside.

For most artists, particularly when you’re starting out, the focus must be on the process. Your results will improve with practice. The joy is in the creative moments and the discoveries you’ll make — good and bad — as you work on art.

Your art, whether it’s drawing or painting or singing or fine-tuning a recipe, is a process that makes you feel more authentic… more alive.

In The Book of Awakening, Howard Thurman is quoted, “Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.”

Separate the technical aspects of art from the joy of creating. Sometimes, the learning process can be as exciting (or boring) as singing scales or reciting multiplication tables. However, the process of putting the pencil to the paper, or paint on the canvas, is where the magic is.

Little girl playing, by Armin HanischAim for something original. That won’t come from copying others, or measuring your work against theirs. The finished product may be a disappointment, but the more important question is: How did you feel when the work came alive? Did you forget about time and tidiness? Did you feel in flow, following a joyful current?

Musician Jeff Beck said, “As long as there’s something original going on, that’s all that really matters.”

He’s right.

Art can be about the finished work. However, it’s more important to focus on the energy that is grounded in and emanates from the creative process.

If you feel that spark of vitality, even for a few seconds as you’re creating art, you’ve seen a glimmer of what drives us to be artists… and what keeps us fully alive in every moment.

We create art for how it feels, not necessarily for the merits of the finished work.

Photo credits
Art class – erdogan ergun, Turkey
Art gallery – brendan gogarty, Australia
Girl in field – Armin Hanisch, Germany

Sewing Onto Your Journal Pages

You can sew embellishments onto your paper journal pages.

You can use any page in a book like fabric (to sew on, for example) by using iron-on interfacing on the back side of the page.

Yes, just iron it on, the same as you would iron interfacing onto fabric. It won’t always stick 100%, but it will work well enough that you can sew through it.

(If you try to embroider or sew beads onto regular pages in a book, the thread tends to pull right through the paper, if the thread is tugged.)

You can do the same thing with your journal cover. A strong crewel embroidery needle will usually sew through cardboard… but you’ll probably need a thimble to push the needle through.

artists journals cover - treated as fabricYou can then embroider with embroidery floss, yarn, thin ribbon, etc. You can add buttons, beads, and so on, too.

At left, you can see one of my journal covers that I’ve embellished with sewn-on buttons. (Click on the image to see it larger.) The biggest button is part of the journal closure. When it’s not in use, a string of hemp (secured to the back cover) is wrapped around the button on the front cover to hold the journal closed.

After you’ve finished your sewing (or other embellishment), you can glue a page or fabric over the ironed-on interfacing, so your stitches are concealed. If I’m doing a lot of this in a book, I’ll buy a second copy of the same book, so the “backing” page is what it would have been, if I hadn’t covered the original with interfacing.

You’ll find iron-on interfacing at any fabric shop. It’s usually kept in a bin or on shelving next to where they cut fabric yardage for you.

You can also iron on Stitch Witchery or another fusible adhesive, and that gives you the option of sticking something wonderful on the other side… interfacing isn’t all that interesting.

For example, you could fuse an actual piece of fabric to the paper page.

Then again, after I sew beads onto the page, I like to cover the interfacing side with more paper… maybe a collage.

You can sew onto your journal pages, or turn them into fabric. It’s easy!

Foam Brush Notes

PaintbrushesPaintbrushes are important for many artists.  I have lots of them for all purposes.

I use bristle-style brushes for my oil and acrylic painting. Also, I’ll use soft, hair-type brushes when I’m painting with watercolors.

However, for me, one-inch foam brushes are most useful for art journaling.

How I use foam brushes

When I’m creating collages, especially torn-paper collages when I’m art journaling, I apply Yes!Paste with a foam brush. That’s my favorite adhesive for magazine images, tissue paper, and so on.

If I’m using gel medium to seal my art journaling pages, I’ll apply that with a foam brush, too.

I’ll use a similar brush to add glittery paint and to apply gold leaf, too.

Also, I use foam brushes to apply cheap, vivid, cadmium red paint (acrylic) as an underpainting when I’m working on an art shrine (that I’ll also paint) or a fine art painting.

I generally get at least three to five uses from each foam brush.  I wash them thoroughly and promptly after using them.

Some foam brushes are better than others

I used to buy my foam brushes at Michael’s. Recently, to get the best price, I had to buy a package of assorted foam brushes.

That was a mistake. Some of the brush sizes were useless for my work. In addition, the quality wasn’t great.

Now I buy brands that I trust, like US Art Supply’s 1-inch brushes. And – for now – I order through Amazon. It’s convenient. If a product is disappointing, it’s easy to return it, but so far, these brushes have been fine and the price is very good.

Note: If you use the kind with wooden handles, the wood can be recycled in a variety of projects.  (For some of my cloth dolls, that handle is the perfect size to reinforce the doll’s neck, as the wooden dowel will extend from the head through the neck and then into the torso.)

Artists’ Journal RR #2b – Debbie O’s Pages

The following two journal pages are glorious examples of work by Debbie O. of our Yahoo Group, ArtistsJournals.

They’re wonderful mixed media journal pages with fabric elements, and they’re full of personal insights and juicy imagery.

These continue the journey of Round Robin #2b (a larger blank journal) as it traveled across the U.S. and then to foreign lands.

Alley Hauldren’s Journey to Winchester, TN

After arriving in Tennessee from Arkansas, it was time to continue Alley’s journey.

During the final phase of Alley’s adventures, she reached Winchester, Tennessee.  That part of her trip inspired the next two pages in this round robin artists’ journal.

This transformed this journal into a true mixed-media artists’ journal, as Alley included actual cotton from Falls Mills.

These are her pages, larger:

Alley Hauldren’s Third Journal Pages

After Arkansas, Alley and her husband were on their way to Tennessee.  The map in this collage shows the route that she and her husband took as they headed toward Memphis.

Paper ephemera illustrates their journey.

Here are her journal pages, larger:

Click here to see the last two pages of Alley’s section in this round robin journal.  They cover the conclusion of her trip as she drove from Dallas (TX) to Winchester (TN).

Alley Hauldren’s Second Pages

From Texas, Alley’s adventures continued through Arkansas.  That part of her journey was documented on the next two pages in the round robin journal from the Yahoo Group, Artists’ Journals.

Alley Hauldren - pages 5 and 6

Here are those pages, larger:

Click here to follow Alley’s next step of the journey, as she and her husband drove from Arkansas toward Memphis, TN.

Round Robin Journal #2b – Alley’s Art

After I finished a quick pair of collage pages, Alley Hauldren from Texas took this round robin journal on an adventure, driving from Dallas (TX) to Winchester (TN).

Here’s her first two-page addition to this journal:

Pages 3 and 4 of the RR Journal #2b - Alley Hauldren

Here they are, larger.

Her next two pages cover the second segment of her vacation.

Click here to see Alley’s journal pages about her adventures in Arkansas.

Round Robin #2b – First pages

Last Spring, two round robin journals were launched through the ArtistsJournals group at Yahoo Groups.  The first one — Round Robin #1 (aka RR #1) — returned to me first.  It’s pages have been scanned and posted.

Round Robin Journal #2 had a slightly rockier start.  The first person I sent it to… she kept it and was never heard from again.

So, I quickly replaced it with RR #2b, which had a few lulls but eventually returned to me.  However, I did take time to start this journal with a hasty, two-page collage sequence.

RR2b - Aisling D'Art's collages

In my collages, I’m always intrigued by two things:  How expressive eyes are, and a sense of motion (or stillness) in the combined images.

The left-side page is a collection of women’s faces, looking in different directions with different attitudes.  The right-side page includes a couple of images of fast-moving clouds, a leg to suggest motion, and faces contrasting enthusiasm and a sense of whimsy.

After that, I sent the journal to Alley Hauldren, who took the book on a journey.  Click here to see those next pages.

In Business? Who Are YOU Reading?

business of art - who are you reading?Are you a professional artist, or launching an art career?

Whether you’re a gallery veteran or simply considering selling your art, it’s vital to remain current about the art field as well as business trends in general.

So… who are you reading, to stay current?

One of the most important recent books is Seth Godin’s Linchpin.  It’s changing about 70% of how I spend my online time, and almost everything about my offline art/business activities.  (Godin is talking about art, but not necessarily visual or fine arts.  The book applies to anyone with a job… self-employed or not.)

In addition, I subscribe to updates (or read the RSS feeds) from several people.  Once again, Seth Godin is high on that list.  (See his recent, excellent blog post, The First Rule of Doing Work that Matters.) Dan Zarrella is another one.  (If you’ve never heard of him, this is a typical post:  Introduce Yourself: Why Should We Listen to You?)

To stay current on art trends, read magazines related to art collecting. Generally, watch for regional trends that are likely to spread.

I put the most focus on the European markets, as they often influence what’s going on the States.  However, I also like the American Art Collector Magazine website, especially their Virtual Art Walk.

Look for colors, designs, and price ranges that are popular.  Look for the influence of mixed media and sculpture, paper arts and fiber.

You can benefit from these insights, whether you’re a full-time artist or someone who’s hoping to earn extra money with spare-time creative projects.